筛选黑人男性之间的亲密、脆弱和敏感:罗德尼·埃文斯访谈录

Q3 Arts and Humanities
C. Nero
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引用次数: 0

摘要

摘要:罗德尼·埃文斯(Rodney Evans)是一位黑人同性恋导演,他的作品包括叙事和纪录片两种形式。这次采访涵盖了他的两部长篇叙事电影,《兄弟对兄弟》(2004),《快乐与悲伤》(2013),以及他的短篇作品《比利和亚伦》(2009)。采访的重点是他电影中黑人男子气概的形象。埃文斯讨论了向黑人男性——无论是异性恋还是同性恋——展示亲密关系中对彼此的脆弱和敏感的重要性。埃文斯讨论了恢复历史上黑人同性恋人物的必要性,以及影响他自己作品的关于黑人同性恋的电影,尤其是马龙·里格斯的《舌结》(1989)和雪莉·克拉克的《杰森的肖像》(1967)。他还谈到了巴里·詹金斯最近的电影《月光男孩》(2016)的重要性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Screening Intimacy, Vulnerability, and Sensitivity Between Black Men: An Interview with Rodney Evans
Abstract:Rodney Evans is a black gay filmmaker who works in both narrative and documentary forms. This interview covers his two feature-length narrative films, Brother to Brother (2004), The Happy Sad (2013), and his short work Billy and Aaron (2009). The interview focuses on the images of black masculinity in his films. Evans discusses the importance of showing black men—straight and gay—in intimate situations displaying vulnerability and sensitivity to each other in their relationships. Evans discusses the need to recover historical black gay figures for film as well as films about black gay men that have influenced his own work, notably Marlon Riggs's Tongues Untied (1989) and Shirley Clarke's A Portrait of Jason (1967). He also discusses the importance of the recent Barry Jenkins film Moonlight (2016).
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来源期刊
Black Camera
Black Camera FILM, RADIO, TELEVISION-
CiteScore
0.30
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0.00%
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