{"title":"向后翻滚:Tumblr上的滚动、时间性和单向乐队粉丝叙事","authors":"A. Mecklenburg","doi":"10.1215/02705346-9561465","DOIUrl":null,"url":null,"abstract":"\n The English/Irish boy band One Direction (2010–16) was one of the first major artists to capitalize on social media's potential for building and maintaining a dedicated fan base over time. The One Direction fandom was particularly pervasive on the blogging site Tumblr, which was prominent between 2007 and 2018 both for its chaotic and confusing “rhizomatic” structure, as well as its popularity with marginalized users and fan communities. This article uses the One Direction fandom as a lens through which to examine the affordances of Tumblr as a platform. It argues that Tumblr encourages its users to draw on the fragmentary, potentially incoherent pieces of information they regularly encounter on the site in order to collectively create narratives that can accommodate them. In other words, Tumblr's platform characteristics produce a queer temporality that combines provisionality and multiplicity with narrative forms and meanings. The article highlights three specific characteristics of Tumblr's platform—its “backward scroll,” its tagging structure, and its recirculation of content—that together encourage users to understand time as comprised of these multiple provisional pasts, presents, and futures. The article points toward the way that narrative and theories of collective storytelling can be used as frameworks for understanding social media platforms.","PeriodicalId":44647,"journal":{"name":"CAMERA OBSCURA","volume":" ","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2022-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Tumbling Backward: Scrolling, Temporality, and One Direction Fan Narratives on Tumblr\",\"authors\":\"A. Mecklenburg\",\"doi\":\"10.1215/02705346-9561465\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\n The English/Irish boy band One Direction (2010–16) was one of the first major artists to capitalize on social media's potential for building and maintaining a dedicated fan base over time. The One Direction fandom was particularly pervasive on the blogging site Tumblr, which was prominent between 2007 and 2018 both for its chaotic and confusing “rhizomatic” structure, as well as its popularity with marginalized users and fan communities. This article uses the One Direction fandom as a lens through which to examine the affordances of Tumblr as a platform. It argues that Tumblr encourages its users to draw on the fragmentary, potentially incoherent pieces of information they regularly encounter on the site in order to collectively create narratives that can accommodate them. In other words, Tumblr's platform characteristics produce a queer temporality that combines provisionality and multiplicity with narrative forms and meanings. The article highlights three specific characteristics of Tumblr's platform—its “backward scroll,” its tagging structure, and its recirculation of content—that together encourage users to understand time as comprised of these multiple provisional pasts, presents, and futures. The article points toward the way that narrative and theories of collective storytelling can be used as frameworks for understanding social media platforms.\",\"PeriodicalId\":44647,\"journal\":{\"name\":\"CAMERA OBSCURA\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2022-05-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"CAMERA OBSCURA\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1215/02705346-9561465\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"FILM, RADIO, TELEVISION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"CAMERA OBSCURA","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1215/02705346-9561465","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
Tumbling Backward: Scrolling, Temporality, and One Direction Fan Narratives on Tumblr
The English/Irish boy band One Direction (2010–16) was one of the first major artists to capitalize on social media's potential for building and maintaining a dedicated fan base over time. The One Direction fandom was particularly pervasive on the blogging site Tumblr, which was prominent between 2007 and 2018 both for its chaotic and confusing “rhizomatic” structure, as well as its popularity with marginalized users and fan communities. This article uses the One Direction fandom as a lens through which to examine the affordances of Tumblr as a platform. It argues that Tumblr encourages its users to draw on the fragmentary, potentially incoherent pieces of information they regularly encounter on the site in order to collectively create narratives that can accommodate them. In other words, Tumblr's platform characteristics produce a queer temporality that combines provisionality and multiplicity with narrative forms and meanings. The article highlights three specific characteristics of Tumblr's platform—its “backward scroll,” its tagging structure, and its recirculation of content—that together encourage users to understand time as comprised of these multiple provisional pasts, presents, and futures. The article points toward the way that narrative and theories of collective storytelling can be used as frameworks for understanding social media platforms.
期刊介绍:
Since its inception, Camera Obscura has devoted itself to providing innovative feminist perspectives on film, television, and visual media. It consistently combines excellence in scholarship with imaginative presentation and a willingness to lead media studies in new directions. The journal has developed a reputation for introducing emerging writers into the field. Its debates, essays, interviews, and summary pieces encompass a spectrum of media practices, including avant-garde, alternative, fringe, international, and mainstream. Camera Obscura continues to redefine its original statement of purpose. While remaining faithful to its feminist focus, the journal also explores feminist work in relation to race studies, postcolonial studies, and queer studies.