向后翻滚:Tumblr上的滚动、时间性和单向乐队粉丝叙事

IF 0.1 3区 艺术学 0 FILM, RADIO, TELEVISION
A. Mecklenburg
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引用次数: 0

摘要

英国/爱尔兰组合单向乐队(One Direction, 2010 - 2016)是最早利用社交媒体的潜力建立和维持忠实粉丝群的主流艺人之一。单向乐队的粉丝在博客网站Tumblr上尤为普遍,在2007年至2018年期间,该网站因其混乱和令人困惑的“根茎”结构以及在边缘化用户和粉丝社区中的受欢迎程度而备受关注。本文以单向乐队(One Direction)的粉丝圈为视角,考察Tumblr作为一个平台的优势。它认为,Tumblr鼓励用户利用他们经常在网站上遇到的零碎的、可能不连贯的信息片段,以便集体创造出能够容纳他们的叙事。换句话说,Tumblr的平台特性产生了一种酷儿暂时性,它将临时性和多样性与叙事形式和意义结合在一起。这篇文章强调了Tumblr平台的三个特点——它的“向后滚动”、它的标签结构和它的内容再循环——这些特点共同鼓励用户理解时间是由这些临时的过去、现在和未来组成的。这篇文章指出,叙事和集体讲故事的理论可以作为理解社交媒体平台的框架。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Tumbling Backward: Scrolling, Temporality, and One Direction Fan Narratives on Tumblr
The English/Irish boy band One Direction (2010–16) was one of the first major artists to capitalize on social media's potential for building and maintaining a dedicated fan base over time. The One Direction fandom was particularly pervasive on the blogging site Tumblr, which was prominent between 2007 and 2018 both for its chaotic and confusing “rhizomatic” structure, as well as its popularity with marginalized users and fan communities. This article uses the One Direction fandom as a lens through which to examine the affordances of Tumblr as a platform. It argues that Tumblr encourages its users to draw on the fragmentary, potentially incoherent pieces of information they regularly encounter on the site in order to collectively create narratives that can accommodate them. In other words, Tumblr's platform characteristics produce a queer temporality that combines provisionality and multiplicity with narrative forms and meanings. The article highlights three specific characteristics of Tumblr's platform—its “backward scroll,” its tagging structure, and its recirculation of content—that together encourage users to understand time as comprised of these multiple provisional pasts, presents, and futures. The article points toward the way that narrative and theories of collective storytelling can be used as frameworks for understanding social media platforms.
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来源期刊
CAMERA OBSCURA
CAMERA OBSCURA FILM, RADIO, TELEVISION-
CiteScore
0.30
自引率
0.00%
发文量
12
期刊介绍: Since its inception, Camera Obscura has devoted itself to providing innovative feminist perspectives on film, television, and visual media. It consistently combines excellence in scholarship with imaginative presentation and a willingness to lead media studies in new directions. The journal has developed a reputation for introducing emerging writers into the field. Its debates, essays, interviews, and summary pieces encompass a spectrum of media practices, including avant-garde, alternative, fringe, international, and mainstream. Camera Obscura continues to redefine its original statement of purpose. While remaining faithful to its feminist focus, the journal also explores feminist work in relation to race studies, postcolonial studies, and queer studies.
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