斯蒂芬妮·迈耶《暮光之城与午夜太阳》中性别与性暴力的文本不稳定性

Pub Date : 2022-12-01 DOI:10.3138/jeunesse-2022-0030
Sarah Olive
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摘要

摘要:本文探讨了斯蒂芬妮·迈耶的《暮光之城》,以及部分泄露的PDF和《午夜太阳》授权书,使用文本研究方法分析了文本的多个版本。这些方法与女权主义媒体效应理论相结合,以考虑Meyer对青少年浪漫关系中性暴力和性别暴力的描述中文本变体的意义。《暮光之城》在国际上的恶名使她有机会回应读者、粉丝、评论家和电影改编作品的评论、批评和奉承,并对不断发展的女权主义时代精神做出反应。她对同一个故事的多次公开改写可以被视为一种回应。其中包括《生与死》(2015)、《午夜太阳PDF》(2008)和《书》(2020),以及《布里·坦纳短暂的第二次生命》(2010)等衍生作品。这项对《暮光之城》故事复述的分析考虑了许多评论家所说的男主角爱德华对女主角贝拉的虐待态度和行为的不同表现。它阐明了这些表征的变化和连续性,并确定了爱德华角色所表达的越来越厌恶女性的态度和行为的轨迹。文章的结论是,故事的多个版本的可用性为读者、粉丝和教育工作者提供了一个不同寻常的机会,让他们将爱德华理解为一个文学建构,并进一步参与关系中虐待的表现。
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Textual Instability around Gendered and Sexual Violence in Stephenie Meyer's Twilight and Midnight Sun
Abstract:This article explores Stephenie Meyer's Twilight alongside the partial, leaked PDF and authorized book of Midnight Sun using textual studies approaches to analyzing multiple versions of a text. These methods are coupled with feminist media effects theory to consider the significance of textual variants in Meyer's representations of sexual and gendered violence in teenage romantic relationships. The international notoriety of Twilight has afforded her the opportunity to respond to commentary, critiques, and adulation from readers, fans, critics, and film adaptations, as well as to react to evolving feminist zeitgeists. Her multiple, publicly available rewritings of the same story could be viewed as one such response. These include Life and Death (2015), the Midnight Sun PDF (2008) and book (2020), in addition to spin-offs like The Short Second Life of Bree Tanner (2010). This analysis across retellings of the Twilight story considers variations in representations of what many critics have articulated as the male protagonist Edward's abusive attitudes and behaviours toward the female protagonist Bella. It elucidates change and continuity in these representations and identifies a trajectory of increasingly misogynistic attitudes and behaviours expressed by Edward's character. The article concludes that the availability of multiple versions of the story offers readers, fans, and educators an unusual opportunity to understand Edward as a literary construct and to engage further with representations of abuse in relationships.
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