{"title":"Bishop-Sanchez,凯瑟琳。创造卡门·米兰达:种族、阵营和跨国明星。范德比尔特大学,2016。","authors":"A. Santos","doi":"10.21471/JLS.V2I2.197","DOIUrl":null,"url":null,"abstract":"In this volume, Kathryn Bishop-Sanchez has accomplished the challenging but rewarding task of analyzing one of the twentieth century’s most popular culture icons. This is a real feat, given Carmen Miranda’s place in the popular imaginary. Bishop-Sanchez tackles this task brilliantly through the lens of Miranda as a cultural sign, providing a rigorous study of how the latter has served as a constructed and embodied media icon.","PeriodicalId":52257,"journal":{"name":"Journal of Lusophone Studies","volume":" ","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2017-12-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Bishop-Sánchez, Kathryn. Creating Carmen Miranda: Race, Camp, and Transnational Stardom. Vanderbilt UP, 2016.\",\"authors\":\"A. Santos\",\"doi\":\"10.21471/JLS.V2I2.197\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In this volume, Kathryn Bishop-Sanchez has accomplished the challenging but rewarding task of analyzing one of the twentieth century’s most popular culture icons. This is a real feat, given Carmen Miranda’s place in the popular imaginary. Bishop-Sanchez tackles this task brilliantly through the lens of Miranda as a cultural sign, providing a rigorous study of how the latter has served as a constructed and embodied media icon.\",\"PeriodicalId\":52257,\"journal\":{\"name\":\"Journal of Lusophone Studies\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2017-12-12\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Lusophone Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.21471/JLS.V2I2.197\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Lusophone Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.21471/JLS.V2I2.197","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
Bishop-Sánchez, Kathryn. Creating Carmen Miranda: Race, Camp, and Transnational Stardom. Vanderbilt UP, 2016.
In this volume, Kathryn Bishop-Sanchez has accomplished the challenging but rewarding task of analyzing one of the twentieth century’s most popular culture icons. This is a real feat, given Carmen Miranda’s place in the popular imaginary. Bishop-Sanchez tackles this task brilliantly through the lens of Miranda as a cultural sign, providing a rigorous study of how the latter has served as a constructed and embodied media icon.