J. Baetens, Carmen Van den Bergh, B. V. D. Bossche
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引用次数: 0
摘要
这篇文章首先简要介绍了摄影小说的历史概况,它远不止是一部有照片的漫画。要想更好地理解这一类型,关键是与女性周刊和情节剧文化的世界有着密切的联系。在第二部分中,文章讨论了摄影小说的作者身份问题,以及集体作者身份和个人创作之间的紧张关系,并探讨了杂志编辑声音的作用,这在摄影小说的世界中是至关重要的,因为个人创作并不总是署名的。在第三部分也是最后一部分,文章细读了一份罕见的文件,一本1956年Ennio Jacobelli的摄影小说手册,题为《Istruzione pratiche per la realizzazione del fotoromanzo》(“摄影小说制作实用指南”)。在我们的分析中,主要关注的是近年来写真小说的实际制作与手册中给出的模型和建议之间的差距。
How to Write a Photo Novel. Ennio Jacobelli’s Istruzioni pratiche per la realizzazione del fotoromanzo (1956)
This article offers first a brief historical overview of the photo novel, which is much more than a comics with photographs. Key to a good understanding of the genre is the close connection with the world of women's weeklies and melodrama culture. In a second part, the article addresses the issue of authorship in photo novels and the tension between collective authorship and individual creation and examines the role of the editorial voice of the magazine, which is paramount in the world of the photo novel, where individual creations were not always signed. In its third and last part, the article offers a close-reading of a rare document, a 1956 photo novel manual by Ennio Jacobelli, entitled Istruzione pratiche per la realizzazione del fotoromanzo (“practical guide for the production of a photonovel”). In our analysis, the main focus is on the gap between the actual production of the photo novel in these years and the models and advices given by the manual.