{"title":"西方古典音乐中的实时调制感知","authors":"Brendon Mizener, W. Dowling","doi":"10.1525/mp.2022.39.5.484","DOIUrl":null,"url":null,"abstract":"The task of music listening involves an auditory scene analysis in which the listener makes judgments related to melody, harmony, and consonance or dissonance, all of which are made within the context of key or tonic region. Here we examine whether the process of tracking key region is independent of the process of tracking surface cues, and what surface cues may influence that process. To this end, highly trained, moderately trained, and untrained listeners listened to excerpts from string quartets, quintets, and sextets from the classical and romantic eras and responded when they heard a modulation. Each excerpt featured either a pivot chord modulation, a direct modulation, a common tone modulation, or no modulation. Listeners performed above chance across modulation conditions, and an interaction effect was observed for modulation type and participant training level. We also present an exploratory PCA that suggests that harmonic language and phrasing are both significant factors in guiding modulation perception, both of which merit further investigation.","PeriodicalId":47786,"journal":{"name":"Music Perception","volume":null,"pages":null},"PeriodicalIF":1.3000,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Real-Time Modulation Perception in Western Classical Music\",\"authors\":\"Brendon Mizener, W. Dowling\",\"doi\":\"10.1525/mp.2022.39.5.484\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The task of music listening involves an auditory scene analysis in which the listener makes judgments related to melody, harmony, and consonance or dissonance, all of which are made within the context of key or tonic region. Here we examine whether the process of tracking key region is independent of the process of tracking surface cues, and what surface cues may influence that process. To this end, highly trained, moderately trained, and untrained listeners listened to excerpts from string quartets, quintets, and sextets from the classical and romantic eras and responded when they heard a modulation. Each excerpt featured either a pivot chord modulation, a direct modulation, a common tone modulation, or no modulation. Listeners performed above chance across modulation conditions, and an interaction effect was observed for modulation type and participant training level. We also present an exploratory PCA that suggests that harmonic language and phrasing are both significant factors in guiding modulation perception, both of which merit further investigation.\",\"PeriodicalId\":47786,\"journal\":{\"name\":\"Music Perception\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":1.3000,\"publicationDate\":\"2022-06-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Music Perception\",\"FirstCategoryId\":\"102\",\"ListUrlMain\":\"https://doi.org/10.1525/mp.2022.39.5.484\",\"RegionNum\":2,\"RegionCategory\":\"心理学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Music Perception","FirstCategoryId":"102","ListUrlMain":"https://doi.org/10.1525/mp.2022.39.5.484","RegionNum":2,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
Real-Time Modulation Perception in Western Classical Music
The task of music listening involves an auditory scene analysis in which the listener makes judgments related to melody, harmony, and consonance or dissonance, all of which are made within the context of key or tonic region. Here we examine whether the process of tracking key region is independent of the process of tracking surface cues, and what surface cues may influence that process. To this end, highly trained, moderately trained, and untrained listeners listened to excerpts from string quartets, quintets, and sextets from the classical and romantic eras and responded when they heard a modulation. Each excerpt featured either a pivot chord modulation, a direct modulation, a common tone modulation, or no modulation. Listeners performed above chance across modulation conditions, and an interaction effect was observed for modulation type and participant training level. We also present an exploratory PCA that suggests that harmonic language and phrasing are both significant factors in guiding modulation perception, both of which merit further investigation.
期刊介绍:
Music Perception charts the ongoing scholarly discussion and study of musical phenomena. Publishing original empirical and theoretical papers, methodological articles and critical reviews from renowned scientists and musicians, Music Perception is a repository of insightful research. The broad range of disciplines covered in the journal includes: •Psychology •Psychophysics •Linguistics •Neurology •Neurophysiology •Artificial intelligence •Computer technology •Physical and architectural acoustics •Music theory