{"title":"詹姆斯·贝尔对塞西莉亚·瓦萨英格兰之旅的叙述:作为赞美诗的游记","authors":"A. Swärdh","doi":"10.1086/711600","DOIUrl":null,"url":null,"abstract":"This essay examines James Bell’s narrative of the Swedish princess Cecilia Vasa’s journey to England in 1564–1565 with focus on the representation of Elizabeth I and Cecilia. The essay argues that the narrative is best understood as a travelogue whose rhetorical function is that of an encomium, celebrating first of all Elizabeth, but also Cecilia and the two women’s relationship. In doing this, the text partakes in contemporary constructions of Elizabeth as potent yet female ruler through its deployment of the so-called rhetoric of love and through its use of iconography that depicts Elizabeth as wise and legitimate ruler. By positing Cecilia as lover of Elizabeth, Bell extends the discourse of love to foreign royalty and a potential political ally; a special bond between the two is set up in ways that would have been accessible to contemporary readers more broadly but also through imagery that would have connected the two in ways open to a more select readership. While the relative status between Elizabeth and Cecilia is maintained throughout the travelogue, Bell celebrates the venture of the journey itself, and thus the meeting of the two women in a way that defines it as a diplomatic exchange with the specific purpose of furthering contact, dialogue, and goodwill between the two countries. [A.S.]","PeriodicalId":44199,"journal":{"name":"ENGLISH LITERARY RENAISSANCE","volume":null,"pages":null},"PeriodicalIF":0.6000,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1086/711600","citationCount":"0","resultStr":"{\"title\":\"James Bell’s Narrative of Cecilia Vasa’s Journey to England: Travelogue as Encomium\",\"authors\":\"A. Swärdh\",\"doi\":\"10.1086/711600\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This essay examines James Bell’s narrative of the Swedish princess Cecilia Vasa’s journey to England in 1564–1565 with focus on the representation of Elizabeth I and Cecilia. The essay argues that the narrative is best understood as a travelogue whose rhetorical function is that of an encomium, celebrating first of all Elizabeth, but also Cecilia and the two women’s relationship. In doing this, the text partakes in contemporary constructions of Elizabeth as potent yet female ruler through its deployment of the so-called rhetoric of love and through its use of iconography that depicts Elizabeth as wise and legitimate ruler. By positing Cecilia as lover of Elizabeth, Bell extends the discourse of love to foreign royalty and a potential political ally; a special bond between the two is set up in ways that would have been accessible to contemporary readers more broadly but also through imagery that would have connected the two in ways open to a more select readership. While the relative status between Elizabeth and Cecilia is maintained throughout the travelogue, Bell celebrates the venture of the journey itself, and thus the meeting of the two women in a way that defines it as a diplomatic exchange with the specific purpose of furthering contact, dialogue, and goodwill between the two countries. [A.S.]\",\"PeriodicalId\":44199,\"journal\":{\"name\":\"ENGLISH LITERARY RENAISSANCE\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.6000,\"publicationDate\":\"2021-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1086/711600\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"ENGLISH LITERARY RENAISSANCE\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1086/711600\",\"RegionNum\":2,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE, BRITISH ISLES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"ENGLISH LITERARY RENAISSANCE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1086/711600","RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, BRITISH ISLES","Score":null,"Total":0}
James Bell’s Narrative of Cecilia Vasa’s Journey to England: Travelogue as Encomium
This essay examines James Bell’s narrative of the Swedish princess Cecilia Vasa’s journey to England in 1564–1565 with focus on the representation of Elizabeth I and Cecilia. The essay argues that the narrative is best understood as a travelogue whose rhetorical function is that of an encomium, celebrating first of all Elizabeth, but also Cecilia and the two women’s relationship. In doing this, the text partakes in contemporary constructions of Elizabeth as potent yet female ruler through its deployment of the so-called rhetoric of love and through its use of iconography that depicts Elizabeth as wise and legitimate ruler. By positing Cecilia as lover of Elizabeth, Bell extends the discourse of love to foreign royalty and a potential political ally; a special bond between the two is set up in ways that would have been accessible to contemporary readers more broadly but also through imagery that would have connected the two in ways open to a more select readership. While the relative status between Elizabeth and Cecilia is maintained throughout the travelogue, Bell celebrates the venture of the journey itself, and thus the meeting of the two women in a way that defines it as a diplomatic exchange with the specific purpose of furthering contact, dialogue, and goodwill between the two countries. [A.S.]
期刊介绍:
English Literary Renaissance is a journal devoted to current criticism and scholarship of Tudor and early Stuart English literature, 1485-1665, including Shakespeare, Spenser, Donne, and Milton. It is unique in featuring the publication of rare texts and newly discovered manuscripts of the period and current annotated bibliographies of work in the field. It is illustrated with contemporary woodcuts and engravings of Renaissance England and Europe.