缓慢的数字艺术史在行动:Project Cornelia对17世纪佛兰德创意社区的计算方法

IF 0.3 0 ART
K. Brosens, J. Aerts, K. Alen, Rudy Jos Beerens, Bruno Cardoso, Inez De Prekel, A. Ivanova, Houda Lamqaddam, G. Molenberghs, Astrid Slegten, Frederik Truyen, Katlijne Van der Stighelen, K. Verbert
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引用次数: 5

摘要

本文介绍了Cornelia项目的原理、起源和应用,这是一个正在进行的计算艺术史项目,由鲁汶大学的跨学科团队开发。它分享了在构思和展开项目时获得的实践观点,并讨论了成功以及挑战和挫折。在这样做的过程中,本文为进入数字舞台的艺术历史学家提供了一个警示故事。然而,这也是一个连接项目Cornelia的邀请。艺术史学家希望避免高昂的启动成本,并愿意将他们的研究嵌入一个更大的实证和理论框架中,他们可以很容易地分享他们的数据,并使用Cornelia的数据和工具来进一步加深他们和我们对早期现代创意社区和产业的起源和治理的理解。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Slow Digital Art History in Action: Project Cornelia’s Computational Approach to Seventeenth-century Flemish Creative Communities
This paper presents the rationale, genesis, and applications of Project Cornelia, an ongoing computational art history project developed by a cross-disciplinary team at the KU Leuven (University of Leuven). It shares practical perspectives acquired while conceptualizing and unfolding the project and discusses successes as well as challenges and setbacks. In doing so, this paper is a cautionary tale for art historians entering the digital arena. However, it is also an invitation to connect to Project Cornelia. Art historians seeking to avoid heavy start-up costs and willing to embed their research in a larger empirical and theoretical framework can easily share their data and use Cornelia’s data and tools to further their and our understanding of the genesis and governance of early modern creative communities and industries.
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CiteScore
0.30
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发文量
12
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