Ciro Guerra的《拥抱蛇中的创造与起源》土著叙事

IF 0.2 4区 文学 0 LITERATURE
Enrique Bernales Albites
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引用次数: 0

摘要

摘要:在Ciro Guerra的电影《蛇的拥抱》(2015)中,中心人物之间的文化交流揭示了亚马逊土著文化所珍视的植物的起源叙事和治疗力。本文分析了萨满卡拉玛卡特面对西方旅行者和科学家时,《蛇的拥抱》如何在起源叙事中表达土著理性。对于这些土著文化来说,知识及其复制相当于祖先的歌曲和仪式,如阿亚瓦斯卡仪式。本文不是通过电影分析来支持这些观点,而是通过探索电影中与跨文化交流和阿亚瓦斯卡仪式相关的中心方面和场景。最后,《蛇的拥抱》强调了区分口头和写作的合理性的困难,美洲原住民文化用口头和写作来理解他们周围的世界。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Indigenous Narratives of Creation and Origin in Embrace of the Serpent, by Ciro Guerra
Abstract:In Ciro Guerra's film Embrace of the Serpent (2015), cultural exchanges between the central characters reveal the origin narratives and the curative power of plants valued by Indigenous cultures of the Amazon. This article analyzes how Embrace of the Serpent expresses Indigenous rationality in the origin narratives as the shaman Karamakate confronts Western travelers and scientists. For these Indigenous cultures, knowledge and its reproduction are equivalent to ancestral songs and rituals such as the ceremony of the Ayahuasca. This article supports these ideas not in a filmic analysis but by exploring central aspects and scenes in the film associated with intercultural exchanges and the ritual of Ayahuasca. Finally, Embrace of the Serpent highlights the difficulty of distinguishing between the rationality of orality and writing with which Native cultures of the Americas understand the world that surrounds them.
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来源期刊
CiteScore
0.50
自引率
0.00%
发文量
13
期刊介绍: A respected forum since 1962 for peer-reviewed work in English literary studies, English Language Notes - ELN - has undergone an extensive makeover as a semiannual journal devoted exclusively to special topics in all fields of literary and cultural studies. ELN is dedicated to interdisciplinary and collaborative work among literary scholarship and fields as disparate as theology, fine arts, history, geography, philosophy, and science. The new journal provides a unique forum for cutting-edge debate and exchange among university-affiliated and independent scholars, artists of all kinds, and academic as well as cultural institutions. As our diverse group of contributors demonstrates, ELN reaches across national and international boundaries.
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