策展经验:作为文化技术的构图——对话

IF 1.1 4区 计算机科学 Q4 COMPUTER SCIENCE, INTERDISCIPLINARY APPLICATIONS
Claudia Molitor, Thor Magnusson
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引用次数: 0

摘要

Thor Magnusson和Claudia Molitor之间的对话介绍了构图作为文化技术的概念,构图被理解为创造空间的系统,在这些空间中,“事物”可以发生和探索。在这种创作理念中,作曲家成为观众体验的策展人,将作品的焦点转移到观众的相遇上。在谈到莫里托过去十年的一些作品时,讨论探讨了这些思想如何在作曲实践中体现出来。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Curating experience: Composition as cultural technology – a conversation
This conversation between Thor Magnusson and Claudia Molitor introduces the idea of composition as cultural technology, where compositions are understood as systems that create spaces within which ‘things’ can occur and can be explored. In this conception of composition, the composer becomes the curator of an experience for an audience, shifting the focus of the work on the encounter of the audience. Talking about some of Molitor’s pieces from the past decade, the discussion explores how these ideas can manifest in compositional practice.
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来源期刊
Journal of New Music Research
Journal of New Music Research 工程技术-计算机:跨学科应用
CiteScore
3.20
自引率
0.00%
发文量
5
审稿时长
>12 weeks
期刊介绍: The Journal of New Music Research (JNMR) publishes material which increases our understanding of music and musical processes by systematic, scientific and technological means. Research published in the journal is innovative, empirically grounded and often, but not exclusively, uses quantitative methods. Articles are both musically relevant and scientifically rigorous, giving full technical details. No bounds are placed on the music or musical behaviours at issue: popular music, music of diverse cultures and the canon of western classical music are all within the Journal’s scope. Articles deal with theory, analysis, composition, performance, uses of music, instruments and other music technologies. The Journal was founded in 1972 with the original title Interface to reflect its interdisciplinary nature, drawing on musicology (including music theory), computer science, psychology, acoustics, philosophy, and other disciplines.
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