词源同谋:小多里特的里高的名字

IF 0.7 1区 文学 0 LITERATURE, BRITISH ISLES
Wesley Chai
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引用次数: 0

摘要

摘要:小多里特的第一个角色正是它的魔鬼对手里高先生。反派的一个决定性特征是,他倾向于使用其他几个名字——“布兰多斯”和“拉尼尔”——这些名字被暗示为伪装别名。鉴于狄更斯对人物名字的历史关注,本案提供了一个切入点,以确定里高刻画背后隐藏的作者意图。根据狄更斯的命名习惯,考虑到这些多重身份,本文发现了将其词源与反派人物的特征细节、小多里特的主题和狄更斯的政治观点联系起来的模式。这项研究描述了一个潜台词,使里高不仅成为维多利亚时代英格兰虚荣资产阶级的普遍讽刺,而且也是改革前政治时代腐败的写照。它得出的结论是,当这种更广泛的象征形式的线条汇聚在一个单一的人物身上时,由此产生的形状就是革命因果的致命剪影。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Etymological Co-Conspirators: The Names of Little Dorrit's Rigaud
Abstract:Little Dorrit's first character introduced is none other than its devilish antagonist, Monsieur Rigaud. One of the villain's defining characteristics is his tendency to operate under several other names–"Blandois" and "Lagnier"–which are implied to be disguise aliases. Given Dickens's historical attention to character names, this case presents an entry point to ascertain covert authorial intentions behind Rigaud's portrayal. Considering these multiple identities in light of Dickens's naming habits, this article finds patterns connecting their etymologies to the villain's characterizing details, Little Dorrit's themes, and Dickens's political views. The study describes a subtext making Rigaud not just a pervasive caricature of Victorian England's vain bourgeoisie, but also a portrait of corruption in the pre-reform era of politics. It concludes that when the lineaments of this broader symbolic form converge in a single character, the resulting shape is a damning silhouette of revolutionary cause and effect.
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来源期刊
DICKENS QUARTERLY
DICKENS QUARTERLY LITERATURE, BRITISH ISLES-
CiteScore
0.20
自引率
16.70%
发文量
33
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