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引用次数: 1
摘要
蓝衫军一直是二十世纪爱尔兰史学中最具争议和研究最广泛的学科之一。辩论主要集中在该运动在多大程度上应该被理解为法西斯组织,或者被理解为对1932年费安娜·法伊尔赢得大选后国内政治不稳定的自发反作用。然而,令人惊讶的是,很少有人关注爱尔兰民族主义和共和主义思想中蓝衬衫主义的思想起源。这篇文章驳斥了蓝衫军在历史上的主要表现,认为这是爱尔兰政治史上的一种反常现象,并认为只有与内战前的政治思想保持一致,才能正确理解这场运动。此外,有人认为,大卫·D·罗伯茨(David D.Roberts)、安东尼奥·科斯塔·平托(António Costa Pinto)和亚里士多德·卡利斯(Aristotle Kallis,在被投票罢免后,他开始支持社团主义政治。
Michael Tierney and the Intellectual Origins of Blueshirtism, 1920–1938
The Blueshirts have been one of the most contested and extensively researched subjects in twentieth-century Irish historiography. Debate has focused principally on the extent to which the movement should be understood as a fascist organisation, or as a spontaneous counter-reaction to the domestic political instability that followed Fianna Fáil’s victory in the 1932 general election. However, strikingly little attention has been devoted to tracing the intellectual origins of Blueshirtism in Irish nationalist and republican thought. This article rejects the dominant historiographical representation of the Blueshirts as an aberration in Irish political history and suggests that the movement can only be understood properly in continuity with the political thought of the pre-Civil War period. It is argued, additionally, that the more complex and differentiated ‘hybrid’ theories of ‘fascistization’ developed by scholars like David D. Roberts, António Costa Pinto and Aristotle Kallis provide a useful comparative framework for understanding how nationalist intellectuals such as Michael Tierney, once steadfast in their commitment to the norms of parliamentary democracy, came to endorse a corporatist politics after being voted out of office.
期刊介绍:
Fascism publishes peer-reviewed (double blind) articles in English, mainly but not exclusively by both seasoned researchers and postgraduates exploring the phenomenon of fascism in a comparative context and focusing on such topics as the uniqueness and generic aspects of fascism, patterns in the causal aspects/genesis of various fascisms in political, economic, social, historical, and psychological factors, their expression in art, culture, ritual and propaganda, elements of continuity between interwar and postwar fascisms, their relationship to national and cultural crisis, revolution, modernity/modernism, political religion, totalitarianism, capitalism, communism, extremism, charismatic dictatorship, patriarchy, terrorism, fundamentalism, and other phenomena related to the rise of political and social extremism.