种族的设计:视觉文化如何塑造美国

IF 0.7 3区 艺术学 0 ART
Tasheka Arceneaux Sutton
{"title":"种族的设计:视觉文化如何塑造美国","authors":"Tasheka Arceneaux Sutton","doi":"10.1080/17547075.2021.2016325","DOIUrl":null,"url":null,"abstract":"The Design of Race: How Visual Culture Shapes America by Peter Claver Fine is the first book to frame the history of graphic design through the lens of African American critical race studies. Its five chapters attempt to explain the discipline’s relationship to race and representation and, more specifically, its connection to race and racism in American visual culture. In the book, Fine, an Associate Professor of Graphic Design at the University of Wyoming, explains how his interest in race and representation began with the Andy Griffith television series, which aired during the 1960s. He states that he never understood how the show, set in the rural south, could exist without any Black people or any discussion about racism or race relations. The show’s omission of Black people inspired Fine’s exploration of race and whiteness through a series of ongoing creative and academic projects. In The Design of Race’s detailed introduction, Fine talks about how the graphic design profession has completely ignored race in its teaching of graphic design history. Fine also discusses how some basic design principles, like the one-point perspective, provide \"an illusion of comprehensive sight\" that denies the \"viewer access to a Tasheka Arceneaux Sutton is Associate Professor of Graphic Design at North Carolina State University and Faculty at Vermont College of Fine Arts MFA Program in Graphic Design. blacvoicedesign@ gmail.com © 2022 Tasheka Arceneaux Sutton DOI: 10.1080/ 17547075.2021.2016325","PeriodicalId":44307,"journal":{"name":"Design and Culture","volume":"14 1","pages":"365 - 367"},"PeriodicalIF":0.7000,"publicationDate":"2022-01-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"The Design of Race: How Visual Culture Shapes America\",\"authors\":\"Tasheka Arceneaux Sutton\",\"doi\":\"10.1080/17547075.2021.2016325\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The Design of Race: How Visual Culture Shapes America by Peter Claver Fine is the first book to frame the history of graphic design through the lens of African American critical race studies. Its five chapters attempt to explain the discipline’s relationship to race and representation and, more specifically, its connection to race and racism in American visual culture. In the book, Fine, an Associate Professor of Graphic Design at the University of Wyoming, explains how his interest in race and representation began with the Andy Griffith television series, which aired during the 1960s. He states that he never understood how the show, set in the rural south, could exist without any Black people or any discussion about racism or race relations. The show’s omission of Black people inspired Fine’s exploration of race and whiteness through a series of ongoing creative and academic projects. In The Design of Race’s detailed introduction, Fine talks about how the graphic design profession has completely ignored race in its teaching of graphic design history. Fine also discusses how some basic design principles, like the one-point perspective, provide \\\"an illusion of comprehensive sight\\\" that denies the \\\"viewer access to a Tasheka Arceneaux Sutton is Associate Professor of Graphic Design at North Carolina State University and Faculty at Vermont College of Fine Arts MFA Program in Graphic Design. blacvoicedesign@ gmail.com © 2022 Tasheka Arceneaux Sutton DOI: 10.1080/ 17547075.2021.2016325\",\"PeriodicalId\":44307,\"journal\":{\"name\":\"Design and Culture\",\"volume\":\"14 1\",\"pages\":\"365 - 367\"},\"PeriodicalIF\":0.7000,\"publicationDate\":\"2022-01-04\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Design and Culture\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/17547075.2021.2016325\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Design and Culture","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/17547075.2021.2016325","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
引用次数: 1

摘要

Peter Claver Fine的《种族设计:视觉文化如何塑造美国》是第一本通过非裔美国人批判性种族研究的视角来阐述平面设计历史的书。它的五章试图解释该学科与种族和表现的关系,更具体地说,它与美国视觉文化中的种族和种族主义的联系。怀俄明州大学平面设计副教授Fine在书中解释了他对种族和表现的兴趣是如何从20世纪60年代播出的Andy Griffith电视连续剧开始的。他表示,如果没有任何黑人,也没有任何关于种族主义或种族关系的讨论,他永远不明白这部以南部农村为背景的电视剧是如何存在的。该节目对黑人的省略激发了Fine通过一系列正在进行的创意和学术项目对种族和白人的探索。在《种族设计》的详细介绍中,Fine谈到了平面设计专业如何在平面设计史教学中完全忽视种族。Fine还讨论了一些基本的设计原则,比如单点透视,提供“全面视觉错觉”,使“观众无法接触到Tasheka Arceneaux Sutton是北卡罗来纳州立大学平面设计副教授和佛蒙特美术学院平面设计MFA项目。blacvoicedesign@gmail.com©2022 Tasheka Arceneaux萨特顿DOI:10.1080/17547075.2021.2016325
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Design of Race: How Visual Culture Shapes America
The Design of Race: How Visual Culture Shapes America by Peter Claver Fine is the first book to frame the history of graphic design through the lens of African American critical race studies. Its five chapters attempt to explain the discipline’s relationship to race and representation and, more specifically, its connection to race and racism in American visual culture. In the book, Fine, an Associate Professor of Graphic Design at the University of Wyoming, explains how his interest in race and representation began with the Andy Griffith television series, which aired during the 1960s. He states that he never understood how the show, set in the rural south, could exist without any Black people or any discussion about racism or race relations. The show’s omission of Black people inspired Fine’s exploration of race and whiteness through a series of ongoing creative and academic projects. In The Design of Race’s detailed introduction, Fine talks about how the graphic design profession has completely ignored race in its teaching of graphic design history. Fine also discusses how some basic design principles, like the one-point perspective, provide "an illusion of comprehensive sight" that denies the "viewer access to a Tasheka Arceneaux Sutton is Associate Professor of Graphic Design at North Carolina State University and Faculty at Vermont College of Fine Arts MFA Program in Graphic Design. blacvoicedesign@ gmail.com © 2022 Tasheka Arceneaux Sutton DOI: 10.1080/ 17547075.2021.2016325
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
CiteScore
1.80
自引率
0.00%
发文量
34
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信