跨学科、年级和学习者的戏剧整合:新教师作为探究性反思实践者的见解

Q1 Arts and Humanities
Sergio L. Sanchez, Steven Z. Athanases, Ofir L. Cahalan, Julia G. Houk
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引用次数: 1

摘要

摘要促进公平获得艺术可能取决于支持教师将艺术纳入核心课程的结构。我们描述了一种艺术整合设计,它将注意力集中在一个教师资格证书项目内外的一个艺术领域——戏剧——吸引了24名新的非艺术教师,他们参加了戏剧学院的各个年级和科目。我们的项目揭示了早期职业教师在产生沉浸在戏剧中的概念和探究课堂实践方面的贡献。我们专注于教师开发基于戏剧的教学法(DBP)实践的剧目,供世界各地的学习者使用,以及参与正在进行的探究和反思周期。根据教师多年的反思和课堂探究项目,我们将教师的戏剧概念和实践划分为三个互动层次:基础、核心和批判性文学。我们用教师的反思和实践报告来说明主题,包括一位墨西哥裔美国人/智利教师的小插曲,他们的孩子年龄在9-10岁之间,其中许多是母语为西班牙语的新兴双语者。这项研究为教师在不同的课堂上整合和维持课堂戏剧所做的努力提供了信息。根据结果中的见解和主题,我们为其他希望设计创新戏剧整合工作并从中学习的人提供政策启示和建议。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Drama integration across subjects, grades, and learners: insights from new teachers as inquiring reflective practitioners
Abstract Promoting equitable access to the arts may depend on structures that support teachers in integrating arts into core curricula. We describe an arts-integration design that spotlights attention within and beyond one teacher credential program to one arts field–drama–engaging 24 new non-arts teachers across grades and subjects who participated in a drama academy. Our project shines the light on contributions of early-career teachers to generating conceptions derived from immersion in drama and inquiry into classroom practice. We focus on teachers’ developing repertoires of drama-based pedagogy (DBP) practices for use among wwdiverse learners, and on engagements in ongoing inquiry and reflective cycles. Drawing upon teachers’ reflections and classroom inquiry projects from a multiyear experience, we mapped teachers’ drama conceptions and practices in three interactive tiers: foundational, core, and critical literacies. We illustrate themes with teachers’ reflections and reports of practice, including a vignette of a Mexican-American/Chicana teacher with children ages 9–10, a number of them native-Spanish speaking emergent bilinguals. The study informs teacher efforts in diverse classrooms to integrate and sustain classroom drama. Drawing upon insights and themes from results, we offer policy implications and recommendations for others wishing to design for and learn from innovative drama integration efforts.
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来源期刊
Arts Education Policy Review
Arts Education Policy Review Arts and Humanities-Visual Arts and Performing Arts
CiteScore
2.90
自引率
0.00%
发文量
30
期刊介绍: Arts Education Policy Review ( AEPR) presents discussion of major policy issues in arts education in the United States and throughout the world. Addressing education in music, visual arts, theatre, and dance, the journal presents a variety of views and emphasizes critical analysis. Its goal is to produce the most comprehensive and rigorous exchange of ideas available on arts education policy. Policy examinations from multiple viewpoints are a valuable resource not only for arts educators, but also for administrators, policy analysts, advocacy groups, parents, and audiences—all those involved in the arts and concerned about their role in education. AEPR focuses on analyses and recommendations focused on policy. The goal of any article should not be description or celebration (although reports of successful programs could be part of an article). Any article focused on a program (or programs) should address why something works or does not work, how it works, how it could work better, and most important, what various policy stakeholders (from teachers to legislators) can do about it. AEPR does not promote individuals, institutions, methods, or products. It does not aim to repeat commonplace ideas. Editors want articles that show originality, probe deeply, and take discussion beyond common wisdom and familiar rhetoric. Articles that merely restate the importance of arts education, call attention to the existence of issues long since addressed, or repeat standard solutions will not be accepted.
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