成为艺术家:社区剧场个人经验的集体反思

IF 1 4区 社会学 Q2 ANTHROPOLOGY
Signs and Society Pub Date : 2020-09-01 DOI:10.1086/710155
Tomi Visakko
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引用次数: 6

摘要

本文探讨了赫尔辛基为期六周的社区剧院项目(2015-16)的参与者如何通过该项目的专业领导者融入艺术家的角色。该项目的主要目标之一是探索种族和社会经济多元化群体的“共同声音”,并让社会听到这种声音。本文利用人种学数据,重点介绍了一种核心写作技巧,该技巧用于扫描参与者过去的经历,并将其改写为共同声音的成分。文章认为,社会化过程涉及一个全面的认识论转变,这会导致参与者对自己经历的感知发生变化。调节写作活动的认识论结构既符合语境化原则(即个人经历如何转化为文本模式),也符合人际交往规则(即如何对待他人的贡献)。因此,它能够构建安全有效的渠道,私人体验可以沿着这些渠道流向群体的集体话语空间,并流向公众。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Becoming Artists: Collective Reflection of Personal Experience in Community Theater
The article examines how the participants of a six-week community theater project in Helsinki (2015–16) become socialized into the role of Artist by the professional leaders of the project. One of the main goals of the project was to explore the “joint voice” of the ethnically and socioeconomically diverse group and to make that voice heard in society. Drawing on ethnographic data, the article focuses on a central writing technique that was used to scan the participants’ past experiences and to rewrite them into ingredients of the joint voice. The article argues that the process of socialization involves a comprehensive epistemological transformation that gives rise to changes in the participants’ perception of their experiences. The epistemological structure that regulates the writing activities pertains both to principles of entextualization (i.e., how personal experiences become transformed into textual patterns) and to rules of interpersonal engagement (i.e., how others’ contributions are treated). Thus, it enables the construction of safe and effective channels along which private experiences can flow to the group’s collective discursive space and onward to the public.
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来源期刊
Signs and Society
Signs and Society Multiple-
CiteScore
1.70
自引率
0.00%
发文量
14
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