《荷马与阿波罗》中的赫拉克勒斯:历时视角下的叙事学品格分析

IF 0.1 3区 历史学 0 CLASSICS
S. Bär
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引用次数: 2

摘要

本文分析和讨论了荷马史诗和罗兹的《阿尔戈诺提卡》中对希腊英雄和半神赫拉克勒斯的提及。在方法论上,它基于历时视角下的叙事性格分析,并带有认知倾向。这表明赫拉克勒斯在这三部史诗中都具有特定的叙事和元哲学目的。在《伊利亚特》中,通过几次外部分析,他扮演了特洛伊的第一个毁灭者,这预示着这座城市的最终毁灭。反过来,奥德赛试图通过谴责赫拉克勒斯进入黑社会和天堂,并强调他的野蛮本性,将他从史诗般的记忆中抹去。最后,在《阿尔戈诺特》中,赫拉克勒斯首先出现,然后在主叙事中缺席,在元叙事层面上,他被用作反映另类叙事策略和内容的手段。总之,可以证明赫拉克勒斯的形象特别倾向于为所有这些叙事和元小说的目的服务,因为它具有明显的多面性、矛盾性和跨文本性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Heracles in Homer and Apollonius: Narratological Character Analysis in a Diachronic Perspective
This article analyses and discusses the references to the Greek hero and demigod Heracles as they appear in the Homeric epics and in Apollonius of Rhodes’ Argonautica. Methodologically, it is based on narratological character analysis in a diachronic perspective, and with a cognitive take. It is demonstrated that Heracles serves specific narrative and metapoetic purposes in all the three epics concerned. In the Iliad, by way of several external analepses he fulfils a proleptic function in his role as the first destroyer of Troy, foreshadowing the ultimate destruction of the city. The Odyssey, in turn, attempts to unwrite Heracles from the epic memory by condemning him into the Underworld and into Heaven, and by emphasizing his barbarian nature. Finally, in the Argonautica Heracles is first present, then absent from the main narrative, and on a metapoetic level he is used as a means of reflecting alternative narrative strategies and contents. In sum, it can be demonstrated that the Heracles figure is particularly apt to serve all these narrative and metapoetic ends because of its decidedly multifaceted, contradictory, and transtextual nature.
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来源期刊
Symbolae Osloenses
Symbolae Osloenses CLASSICS-
CiteScore
0.40
自引率
0.00%
发文量
2
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