普林尼自然史中的感觉与神圣

E. Manolaraki
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引用次数: 0

摘要

摘要:本文论述了普林尼《自然史》中一个被忽视的方面:通过斯多葛派普遍神的意义来体现。在作品的几个关键时刻,读者被要求通过听觉、味觉、嗅觉和触摸其易腐烂的表现来接触内在的自然现象。普林尼强调“次要”感官是人与神之间关系的载体,这是一种创新的姿态,与斯多葛主义中视觉的突出联系在一起。此外,识别普林尼感官的功能使HN与古代的感官领域对话,尤其是与感官在宗教中的作用对话。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Senses and the Sacred in Pliny's Natural History
Abstract:This paper discusses an overlooked aspect of Pliny's Natural History (HN): the embodiment through the senses of the Stoics' universal deity. At several junctures in the work, readers are prompted to make contact with the immanent numen naturae by hearing, tasting, smelling, and touching its perishable manifestations. Pliny's emphasis on the "lesser" senses as vehicles for a human-divine relation is worth examining as an innovative gesture in connection with the prominence of sight in imperial Stoicism. Moreover, identifying the function of Pliny's sensorium brings the HN in dialogue with the field of the senses in antiquity, and especially with the role of the senses in religion.
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