{"title":"手语、翻译和口译:视听内容中的创造性实践","authors":"Ana Tamayo","doi":"10.1353/sls.2022.0003","DOIUrl":null,"url":null,"abstract":"Abstract:This article explores current creative practices involving the representation of sign languages, sign language interpreting, sign language translation (Napier and Leeson 2016; HBB4ALL 2017; CNLSE 2017; Tamayo 2022), and sign language live translation (Tamayo 2022) in audiovisual content. To that end, a review of the concept creative sign language and a review of previous publications on the matter will be provided. Subsequently, the implementation of creativity at different production stages, and the use of different resources when sign languages are present in audiovisual content, will be discussed by analyzing some selected innovative examples (mostly of practices in Spain). Finally, a taxonomy that takes into account not only internal creativity (that is inherent to sign languages), but also collaborative and external creativity. Conclusions will focus on how creative practices can expand our understanding of different art expressions, human communication, and inclusion, and can help establish new and meaningful connections among them.","PeriodicalId":21753,"journal":{"name":"Sign Language Studies","volume":"22 1","pages":"484 - 519"},"PeriodicalIF":0.5000,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Sign Languages, Translation, and Interpreting: Creative Practices in Audiovisual Content\",\"authors\":\"Ana Tamayo\",\"doi\":\"10.1353/sls.2022.0003\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:This article explores current creative practices involving the representation of sign languages, sign language interpreting, sign language translation (Napier and Leeson 2016; HBB4ALL 2017; CNLSE 2017; Tamayo 2022), and sign language live translation (Tamayo 2022) in audiovisual content. To that end, a review of the concept creative sign language and a review of previous publications on the matter will be provided. Subsequently, the implementation of creativity at different production stages, and the use of different resources when sign languages are present in audiovisual content, will be discussed by analyzing some selected innovative examples (mostly of practices in Spain). Finally, a taxonomy that takes into account not only internal creativity (that is inherent to sign languages), but also collaborative and external creativity. Conclusions will focus on how creative practices can expand our understanding of different art expressions, human communication, and inclusion, and can help establish new and meaningful connections among them.\",\"PeriodicalId\":21753,\"journal\":{\"name\":\"Sign Language Studies\",\"volume\":\"22 1\",\"pages\":\"484 - 519\"},\"PeriodicalIF\":0.5000,\"publicationDate\":\"2022-03-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Sign Language Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/sls.2022.0003\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"LINGUISTICS\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Sign Language Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/sls.2022.0003","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"LINGUISTICS","Score":null,"Total":0}
Sign Languages, Translation, and Interpreting: Creative Practices in Audiovisual Content
Abstract:This article explores current creative practices involving the representation of sign languages, sign language interpreting, sign language translation (Napier and Leeson 2016; HBB4ALL 2017; CNLSE 2017; Tamayo 2022), and sign language live translation (Tamayo 2022) in audiovisual content. To that end, a review of the concept creative sign language and a review of previous publications on the matter will be provided. Subsequently, the implementation of creativity at different production stages, and the use of different resources when sign languages are present in audiovisual content, will be discussed by analyzing some selected innovative examples (mostly of practices in Spain). Finally, a taxonomy that takes into account not only internal creativity (that is inherent to sign languages), but also collaborative and external creativity. Conclusions will focus on how creative practices can expand our understanding of different art expressions, human communication, and inclusion, and can help establish new and meaningful connections among them.
期刊介绍:
Sign Language Studies publishes a wide range of original scholarly articles and essays relevant to signed languages and signing communities. The journal provides a forum for the dissemination of important ideas and opinions concerning these languages and the communities who use them. Topics of interest include linguistics, anthropology, semiotics, Deaf culture, and Deaf history and literature.