语义背叛

Q3 Arts and Humanities
Bram Lambrecht
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引用次数: 0

摘要

本文深入阅读了佛兰德作家兼小说家雨果·克劳斯(1929-2008)的诗歌周期《Het graf van Pernath》(1977;《Pernath的坟墓》)。这个周期只是对1975年去世的著名后实验佛兰德诗人Hugues C.Pernath的众多悼念之一。首先,本文展示了Het graf van Pernath如何对通博诗歌的流派传统表现出复杂的态度,尤其是对葬礼诗歌。克劳斯的诗歌错综复杂地尊重、反对和改变了传统的形式惯例和死亡与悲伤的主流观念。其次,本文展示了克劳斯对葬礼传统的探索是如何与忏悔诗流派的探索并行不悖的,忏悔诗已经成为后浪漫主义抒情诗的主导范式。事实上,克劳斯对一位交友诗人的批判性诗歌致敬也可以被解读为对两位作者自己的诗歌实践的批判性揭露,这是一种语义欺骗。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Semantisch verraad
This article offers an in-depth reading of the poetic cycle Het graf van Pernath (1977; Pernath’s Tomb) by the Flemish author and novelist Hugo Claus (1929-2008). The cycle is only one of the many tributes to the prominent post-experimental Flemish poet Hugues C. Pernath, who died in 1975. First, the present article shows how Het graf van Pernath displays a complex attitude towards the genre tradition of the tombeau littéraire in particular and funerary poetry in general. Claus’s poems intricately respect, oppose and transform both traditional formal conventions of the genre and dominant conceptions of death and grief. Second, this article demonstrates how Claus’s exploration of the funerary tradition goes hand in hand with an exploration of the genre of confessional poetry, which has become the dominant paradigm in the post-Romantic lyric. Indeed, Claus’s critical poetic homage to a befriended poet can also be interpreted as a critical unmasking of both authors’ very own poetic practice as a form of semantic deceit.
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来源期刊
Nederlandse Letterkunde
Nederlandse Letterkunde Arts and Humanities-Literature and Literary Theory
CiteScore
0.20
自引率
0.00%
发文量
16
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