{"title":"科曼尼小说中的一般自我意识:《德罗希拉与查理》中的主人公","authors":"Paloma Cortez","doi":"10.1017/byz.2023.14","DOIUrl":null,"url":null,"abstract":"This article examines the twelfth-century novel Drosilla and Charikles by Niketas Eugenianos from the perspective of cognitive frames. Based on the analysis of two key passages (1.230–57 and 3.341–50), I argue that the hero recognizes himself as part of the novelistic plot. While such metanarrative features of the Komnenian novels have been recognized previously, the cognitive approach offered in this article allows for a better understanding of the narratological complexities at play in Eugenianos’ novel and in the ancient and Byzantine novelistic genre at large.","PeriodicalId":43258,"journal":{"name":"BYZANTINE AND MODERN GREEK STUDIES","volume":null,"pages":null},"PeriodicalIF":0.3000,"publicationDate":"2023-06-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Generic self-awareness in a Komnenian novel: the hero in Drosilla and Charikles\",\"authors\":\"Paloma Cortez\",\"doi\":\"10.1017/byz.2023.14\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article examines the twelfth-century novel Drosilla and Charikles by Niketas Eugenianos from the perspective of cognitive frames. Based on the analysis of two key passages (1.230–57 and 3.341–50), I argue that the hero recognizes himself as part of the novelistic plot. While such metanarrative features of the Komnenian novels have been recognized previously, the cognitive approach offered in this article allows for a better understanding of the narratological complexities at play in Eugenianos’ novel and in the ancient and Byzantine novelistic genre at large.\",\"PeriodicalId\":43258,\"journal\":{\"name\":\"BYZANTINE AND MODERN GREEK STUDIES\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2023-06-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"BYZANTINE AND MODERN GREEK STUDIES\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1017/byz.2023.14\",\"RegionNum\":4,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"BYZANTINE AND MODERN GREEK STUDIES","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1017/byz.2023.14","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 0
摘要
本文从认知框架的角度考察了妮克塔斯·尤金尼诺斯的十二世纪小说《Drosilla and Charikles》。基于对两个关键段落(1.230-57和3.341-50)的分析,我认为主人公认识到自己是小说情节的一部分。虽然科姆尼小说的这种元叙事特征以前已经得到了认可,但本文提供的认知方法有助于更好地理解尤金尼奥斯小说以及古代和拜占庭小说类型中的叙事复杂性。
Generic self-awareness in a Komnenian novel: the hero in Drosilla and Charikles
This article examines the twelfth-century novel Drosilla and Charikles by Niketas Eugenianos from the perspective of cognitive frames. Based on the analysis of two key passages (1.230–57 and 3.341–50), I argue that the hero recognizes himself as part of the novelistic plot. While such metanarrative features of the Komnenian novels have been recognized previously, the cognitive approach offered in this article allows for a better understanding of the narratological complexities at play in Eugenianos’ novel and in the ancient and Byzantine novelistic genre at large.
期刊介绍:
Byzantine and Modern Greek Studies is an internationally recognised, peer-reviewed journal and one of the leading publications in its field. It is viewed as an important outlet for current research. Published twice a year in spring and autumn, its remit has always been to facilitate the publication of high-quality research and discussion in all aspects of Byzantine and Modern Greek scholarship, whether historical, literary or social-anthropological. It welcomes research, criticism, contributions on theory and method in the form of articles, critical studies and short notes.