{"title":"雪莉·杰克逊的后人类主义鬼魂:《鬼屋惊魂》中幽灵与创伤的重访","authors":"Tony M. Vinci","doi":"10.1353/arq.2019.0020","DOIUrl":null,"url":null,"abstract":"Abstract:In her 1959 gothic tour de force, The Haunting of Hill House, Shirley Jackson engages spectrality as a means to grapple with the traumas inflicted by mid-century American ideologies that codify identity under the rubric of anthropocentric humanism. By inviting the reader into the consciousness of a traumatized subject, Jackson reveals how the mind vulnerable enough to be haunted opens itself to the ethical possibilities that become available when one abandons the human as a valid ontological construct. Jackson's traumatized subject is a ghostly consciousness that negotiates a mesh of bodies, historical moments, and social identities while retaining some semblance of individual personhood. Trapping this spectral trans-subject within an archive of ghost stories, Jackson stages the painful and oppressive interactions between the traumatized subject and the social world that attempts to defer, package, and expunge her experiences as an effort to retain the hegemony of the human.","PeriodicalId":42394,"journal":{"name":"Arizona Quarterly","volume":"75 1","pages":"53 - 75"},"PeriodicalIF":0.1000,"publicationDate":"2019-12-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/arq.2019.0020","citationCount":"1","resultStr":"{\"title\":\"Shirley Jackson's Posthumanist Ghosts: Revisiting Spectrality and Trauma in The Haunting of Hill House\",\"authors\":\"Tony M. Vinci\",\"doi\":\"10.1353/arq.2019.0020\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:In her 1959 gothic tour de force, The Haunting of Hill House, Shirley Jackson engages spectrality as a means to grapple with the traumas inflicted by mid-century American ideologies that codify identity under the rubric of anthropocentric humanism. By inviting the reader into the consciousness of a traumatized subject, Jackson reveals how the mind vulnerable enough to be haunted opens itself to the ethical possibilities that become available when one abandons the human as a valid ontological construct. Jackson's traumatized subject is a ghostly consciousness that negotiates a mesh of bodies, historical moments, and social identities while retaining some semblance of individual personhood. Trapping this spectral trans-subject within an archive of ghost stories, Jackson stages the painful and oppressive interactions between the traumatized subject and the social world that attempts to defer, package, and expunge her experiences as an effort to retain the hegemony of the human.\",\"PeriodicalId\":42394,\"journal\":{\"name\":\"Arizona Quarterly\",\"volume\":\"75 1\",\"pages\":\"53 - 75\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2019-12-06\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1353/arq.2019.0020\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Arizona Quarterly\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/arq.2019.0020\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE, AMERICAN\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Arizona Quarterly","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/arq.2019.0020","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, AMERICAN","Score":null,"Total":0}
Shirley Jackson's Posthumanist Ghosts: Revisiting Spectrality and Trauma in The Haunting of Hill House
Abstract:In her 1959 gothic tour de force, The Haunting of Hill House, Shirley Jackson engages spectrality as a means to grapple with the traumas inflicted by mid-century American ideologies that codify identity under the rubric of anthropocentric humanism. By inviting the reader into the consciousness of a traumatized subject, Jackson reveals how the mind vulnerable enough to be haunted opens itself to the ethical possibilities that become available when one abandons the human as a valid ontological construct. Jackson's traumatized subject is a ghostly consciousness that negotiates a mesh of bodies, historical moments, and social identities while retaining some semblance of individual personhood. Trapping this spectral trans-subject within an archive of ghost stories, Jackson stages the painful and oppressive interactions between the traumatized subject and the social world that attempts to defer, package, and expunge her experiences as an effort to retain the hegemony of the human.
期刊介绍:
Arizona Quarterly publishes scholarly essays on American literature, culture, and theory. It is our mission to subject these categories to debate, argument, interpretation, and contestation via critical readings of primary texts. We accept essays that are grounded in textual, formal, cultural, and theoretical examination of texts and situated with respect to current academic conversations whilst extending the boundaries thereof.