雪莉·杰克逊的后人类主义鬼魂:《鬼屋惊魂》中幽灵与创伤的重访

IF 0.1 0 LITERATURE, AMERICAN
Tony M. Vinci
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引用次数: 1

摘要

摘要:在1959年的哥特式之旅《山屋闹鬼》中,雪莉·杰克逊将幽灵作为一种手段,来应对世纪中期美国意识形态所造成的创伤,这些意识形态在以人类为中心的人道主义的标题下编纂了身份。通过邀请读者进入一个受到创伤的主体的意识中,杰克逊揭示了当一个人放弃人类作为一个有效的本体论建构时,脆弱到被困扰的心灵是如何向道德可能性敞开的。杰克逊受到创伤的主题是一种幽灵般的意识,它通过身体、历史时刻和社会身份的网格进行协商,同时保留了一些个人的外表。杰克逊将这个光谱上的跨主体困在鬼故事的档案中,讲述了受创伤的主体与社会世界之间痛苦而压抑的互动,试图推迟、包装和删除她的经历,以此来保持人类的霸权。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Shirley Jackson's Posthumanist Ghosts: Revisiting Spectrality and Trauma in The Haunting of Hill House
Abstract:In her 1959 gothic tour de force, The Haunting of Hill House, Shirley Jackson engages spectrality as a means to grapple with the traumas inflicted by mid-century American ideologies that codify identity under the rubric of anthropocentric humanism. By inviting the reader into the consciousness of a traumatized subject, Jackson reveals how the mind vulnerable enough to be haunted opens itself to the ethical possibilities that become available when one abandons the human as a valid ontological construct. Jackson's traumatized subject is a ghostly consciousness that negotiates a mesh of bodies, historical moments, and social identities while retaining some semblance of individual personhood. Trapping this spectral trans-subject within an archive of ghost stories, Jackson stages the painful and oppressive interactions between the traumatized subject and the social world that attempts to defer, package, and expunge her experiences as an effort to retain the hegemony of the human.
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来源期刊
Arizona Quarterly
Arizona Quarterly LITERATURE, AMERICAN-
CiteScore
0.30
自引率
0.00%
发文量
20
期刊介绍: Arizona Quarterly publishes scholarly essays on American literature, culture, and theory. It is our mission to subject these categories to debate, argument, interpretation, and contestation via critical readings of primary texts. We accept essays that are grounded in textual, formal, cultural, and theoretical examination of texts and situated with respect to current academic conversations whilst extending the boundaries thereof.
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