“深暗真镜”——彼得鲁斯·拉莫斯的逻辑与参孙的悲剧

IF 0.1 0 MEDIEVAL & RENAISSANCE STUDIES
Elizabeth Skerpan-Wheeler
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引用次数: 0

摘要

十六世纪的教育改革家Petrus Ramus以打破逻辑和修辞之间的传统关系而闻名。他去掉了传统修辞学五大准则中的前两个——发明和安排——并将其分配给逻辑。因此,对Ramus来说,发明并不是一种寻找论据的手段,而是一个揭示真相和寻找探究主题本质的手段的过程。这种干预影响了教育工作者、科学家、剧作家和诗人,最著名的是约翰·米尔顿,他自己版本的拉姆逻辑在《天堂复活》和《萨姆森·阿戈尼斯特》之后仅一年就出版了。这种按时间顺序排列的关系表明,米尔顿对发明的理解与萨姆森悲剧的独特性质之间可能存在联系。这种联系表明,这场悲剧代表了一个错误的发明过程,达尼特人的明显胜利导致了他们英雄的精神毁灭。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
“Deep Dark Truthful Mirror”—The Logic of Petrus Ramus and the Tragedy of Samson Agonistes
The sixteenth-century educational reformer Petrus Ramus was known for disrupting the traditional relationship between logic and rhetoric. He removed the first two of the traditional five canons of rhetoric—invention and arrangement—and assigned them to logic. Thus, to Ramus, invention became not a means of finding arguments but rather a process of uncovering truth and finding a means of inquiry into the essence of a subject. This intervention affected educators, scientists, playwrights, and poets, most notably John Milton, whose own version of Ramus’s logic was published only a year after Paradise Regained and Samson Agonistes. This chronological association suggests the possibility of a connection between Milton’s understanding of invention and the distinctive nature of the tragedy of Samson. Such a connection suggests that the tragedy represents a process of invention that goes wrong, and that the apparent victory of the Danites leads to the spiritual destruction of their hero.
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来源期刊
Explorations in Renaissance Culture
Explorations in Renaissance Culture MEDIEVAL & RENAISSANCE STUDIES-
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