尼克松、特朗普和关起门来的华盛顿:虚构的水门事件和历史迷你剧的先见之明

Q2 Arts and Humanities
K. McNally
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引用次数: 0

摘要

20世纪70年代,迷你剧作为一种电视类型的发展,通过将事实和虚构相结合的故事,将过去与当代美国文化联系起来,成为美国电视剧对国家历史戏剧化的核心。然而,很少考虑的是,屏幕和现实世界事件之间越来越多的失误可能预示着未来的文化和政治,揭示了超越电视剧制作时刻的历史联系。本文探讨了1977年美国广播公司的迷你剧《闭门的华盛顿》,该剧改编自约翰·埃利希曼的小说《公司》及其虚构的尼克松式总统故事,借鉴了作者在尼克松政府时期的经历。该剧出现在历史迷你剧和水门事件的各种屏幕描述的背景下,在讲述理查德·尼克松注定失败的总统任期时,成为小说和非小说之间界限模糊的一部分。与此同时,文章认为,《华盛顿闭门》对美国最近政治史的明确虚构提供了一个空间,可以将该剧解读为对美国政治未来的先见之明的想象,后来在唐纳德·特朗普的总统任期内实现了这一想象。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Nixon, Trump and Washington Behind Closed Doors: Fictionalizing Watergate and the prescience of the historical miniseries
The development of the miniseries as a TV genre during the 1970s became central to American television’s dramatization of the nation’s history through stories that combined fact and fiction to relate the past to contemporary US culture. Rarely considered, however, is the ways in which increasing slippages between the screen and real-world events might work to presage the culture and politics of the future, illuminating historical connections that move beyond a television drama’s moment of production. This article explores the 1977 ABC miniseries Washington Behind Closed Doors, an adaptation of John Ehrlichman’s novel The Company and its fictional tale of a Nixon-like president, drawing on the author’s experiences as part of the Nixon administration. Emerging in the contexts of the historical miniseries and various screen depictions of Watergate, the show became part of a blurring of the boundaries between fiction and non-fiction in the re-telling of Richard Nixon’s doomed tenure as president. At the same time, the article contends, the explicit fictionalization of the nation’s recent political history in Washington Behind Closed Doors provides a space in which to read the show as a prescient imagining of the United States’ political future later realized in the presidency of Donald Trump.
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来源期刊
European Journal of American Culture
European Journal of American Culture Arts and Humanities-History
CiteScore
0.60
自引率
0.00%
发文量
17
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