“我认为我相信公民权利”:回顾Pauline Vaeluaga Smith的黎明突袭中的跨土著政治激进主义

IF 0.5 2区 文学 0 LITERATURE
Bonnie Etherington
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引用次数: 1

摘要

摘要:Pauline Vaeluaga Smith的青年小说《黎明突袭》(2018)以1976年为背景,以13岁的sāmoan-Pākehā主人公Sofia的声音为基础,以日记的形式写成,她记录了自己的生活,包括新西兰政府对帕西菲卡土著人民的移民突袭的经历。这部小说在向年轻观众讲述时,挑战了殖民地对黎明突袭的遗忘,突出了这个定居者民族国家持续存在的不公正现象。与此同时,这部小说纪念并颂扬了波利尼西亚黑豹的行动,这是一个以土著为中心的反殖民抵抗团体。这部小说讲述了20世纪70年代毛利人和帕西菲卡活动家之间复杂的团结和紧张关系。Vaeluaga Smith通过突出土著活动家网络的复杂性,介入了持续存在的将土著人民边缘化的媒体叙事,并表明20世纪70年代谈判达成的土著社区组织形式和对主权的理解继续深刻影响着Aotearoa的政治现状和未来。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
"I think I beleive in civil rights": Re-remembering Trans-Indigenous Political Activism in Pauline Vaeluaga Smith's Dawn Raid
Abstract:Written as a diary and set in 1976, Pauline Vaeluaga Smith's Young Adult novel Dawn Raid (2018) is grounded in the voice of thirteen-year-old Sāmoan-Pākehā protagonist Sofia, as she documents her life, including her experience of the New Zealand government's immigration raids on Pasifika Indigenous peoples. The novel challenges colonial forgetting of the dawn raids as it speaks to a youthful audience, highlighting ongoing injustices of the settler nation-state. At the same time, the novel remembers and celebrates the actions of the Polynesian Panthers, an Indigenous-centered anti-colonial resistance group. The novel navigates complex solidarities and tensions between Māori and Pasifika activists during the 1970s. By foregrounding the complexities of Indigenous activist networks, Vaeluaga Smith intervenes in persistent media narratives that marginalize Indigenous peoples and demonstrates that forms of Indigenous community organizing and understandings of sovereignty negotiated in the 1970s continue to deeply impact Aotearoa's political present and future.
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来源期刊
STUDIES IN THE NOVEL
STUDIES IN THE NOVEL LITERATURE-
CiteScore
0.40
自引率
0.00%
发文量
28
期刊介绍: From its inception, Studies in the Novel has been dedicated to building a scholarly community around the world-making potentialities of the novel. Studies in the Novel started as an idea among several members of the English Department of the University of North Texas during the summer of 1965. They determined that there was a need for a journal “devoted to publishing critical and scholarly articles on the novel with no restrictions on either chronology or nationality of the novelists studied.” The founding editor, University of North Texas professor of contemporary literature James W. Lee, envisioned a journal of international scope and influence. Since then, Studies in the Novel has staked its reputation upon publishing incisive scholarship on the canon-forming and cutting-edge novelists that have shaped the genre’s rich history. The journal continues to break new ground by promoting new theoretical approaches, a broader international scope, and an engagement with the contemporary novel as a form of social critique.
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