{"title":"“我认为我相信公民权利”:回顾Pauline Vaeluaga Smith的黎明突袭中的跨土著政治激进主义","authors":"Bonnie Etherington","doi":"10.1353/sdn.2022.0024","DOIUrl":null,"url":null,"abstract":"Abstract:Written as a diary and set in 1976, Pauline Vaeluaga Smith's Young Adult novel Dawn Raid (2018) is grounded in the voice of thirteen-year-old Sāmoan-Pākehā protagonist Sofia, as she documents her life, including her experience of the New Zealand government's immigration raids on Pasifika Indigenous peoples. The novel challenges colonial forgetting of the dawn raids as it speaks to a youthful audience, highlighting ongoing injustices of the settler nation-state. At the same time, the novel remembers and celebrates the actions of the Polynesian Panthers, an Indigenous-centered anti-colonial resistance group. The novel navigates complex solidarities and tensions between Māori and Pasifika activists during the 1970s. By foregrounding the complexities of Indigenous activist networks, Vaeluaga Smith intervenes in persistent media narratives that marginalize Indigenous peoples and demonstrates that forms of Indigenous community organizing and understandings of sovereignty negotiated in the 1970s continue to deeply impact Aotearoa's political present and future.","PeriodicalId":54138,"journal":{"name":"STUDIES IN THE NOVEL","volume":"54 1","pages":"293 - 311"},"PeriodicalIF":0.5000,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"\\\"I think I beleive in civil rights\\\": Re-remembering Trans-Indigenous Political Activism in Pauline Vaeluaga Smith's Dawn Raid\",\"authors\":\"Bonnie Etherington\",\"doi\":\"10.1353/sdn.2022.0024\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:Written as a diary and set in 1976, Pauline Vaeluaga Smith's Young Adult novel Dawn Raid (2018) is grounded in the voice of thirteen-year-old Sāmoan-Pākehā protagonist Sofia, as she documents her life, including her experience of the New Zealand government's immigration raids on Pasifika Indigenous peoples. The novel challenges colonial forgetting of the dawn raids as it speaks to a youthful audience, highlighting ongoing injustices of the settler nation-state. At the same time, the novel remembers and celebrates the actions of the Polynesian Panthers, an Indigenous-centered anti-colonial resistance group. The novel navigates complex solidarities and tensions between Māori and Pasifika activists during the 1970s. By foregrounding the complexities of Indigenous activist networks, Vaeluaga Smith intervenes in persistent media narratives that marginalize Indigenous peoples and demonstrates that forms of Indigenous community organizing and understandings of sovereignty negotiated in the 1970s continue to deeply impact Aotearoa's political present and future.\",\"PeriodicalId\":54138,\"journal\":{\"name\":\"STUDIES IN THE NOVEL\",\"volume\":\"54 1\",\"pages\":\"293 - 311\"},\"PeriodicalIF\":0.5000,\"publicationDate\":\"2022-09-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"STUDIES IN THE NOVEL\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/sdn.2022.0024\",\"RegionNum\":2,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"STUDIES IN THE NOVEL","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/sdn.2022.0024","RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
"I think I beleive in civil rights": Re-remembering Trans-Indigenous Political Activism in Pauline Vaeluaga Smith's Dawn Raid
Abstract:Written as a diary and set in 1976, Pauline Vaeluaga Smith's Young Adult novel Dawn Raid (2018) is grounded in the voice of thirteen-year-old Sāmoan-Pākehā protagonist Sofia, as she documents her life, including her experience of the New Zealand government's immigration raids on Pasifika Indigenous peoples. The novel challenges colonial forgetting of the dawn raids as it speaks to a youthful audience, highlighting ongoing injustices of the settler nation-state. At the same time, the novel remembers and celebrates the actions of the Polynesian Panthers, an Indigenous-centered anti-colonial resistance group. The novel navigates complex solidarities and tensions between Māori and Pasifika activists during the 1970s. By foregrounding the complexities of Indigenous activist networks, Vaeluaga Smith intervenes in persistent media narratives that marginalize Indigenous peoples and demonstrates that forms of Indigenous community organizing and understandings of sovereignty negotiated in the 1970s continue to deeply impact Aotearoa's political present and future.
期刊介绍:
From its inception, Studies in the Novel has been dedicated to building a scholarly community around the world-making potentialities of the novel. Studies in the Novel started as an idea among several members of the English Department of the University of North Texas during the summer of 1965. They determined that there was a need for a journal “devoted to publishing critical and scholarly articles on the novel with no restrictions on either chronology or nationality of the novelists studied.” The founding editor, University of North Texas professor of contemporary literature James W. Lee, envisioned a journal of international scope and influence. Since then, Studies in the Novel has staked its reputation upon publishing incisive scholarship on the canon-forming and cutting-edge novelists that have shaped the genre’s rich history. The journal continues to break new ground by promoting new theoretical approaches, a broader international scope, and an engagement with the contemporary novel as a form of social critique.