{"title":"先驱者与信使:希腊悲剧中的角色、身份与功能","authors":"Florence Yoon","doi":"10.1086/718685","DOIUrl":null,"url":null,"abstract":"The term “messenger” is generally used in the discussion of Greek tragedy to identify an anonymous character who reports offstage events. Yet “messenger” is not a fixed identifier, to be used in parallel with character names, but a description of a fluid conventional function, best compared with terms such as “prologue-speaker.” By contrasting the messenger with the related figure of the herald we can more clearly articulate the distinction between a character’s in-world identity and his extra-dramatic function. This more specific usage is supported by the language of the plays, and its usefulness is demonstrated through a study of Sophocles’ Trachiniae.","PeriodicalId":46255,"journal":{"name":"CLASSICAL PHILOLOGY","volume":null,"pages":null},"PeriodicalIF":0.7000,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Heralds and Messengers: Character Identity and Function in Greek Tragedy\",\"authors\":\"Florence Yoon\",\"doi\":\"10.1086/718685\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The term “messenger” is generally used in the discussion of Greek tragedy to identify an anonymous character who reports offstage events. Yet “messenger” is not a fixed identifier, to be used in parallel with character names, but a description of a fluid conventional function, best compared with terms such as “prologue-speaker.” By contrasting the messenger with the related figure of the herald we can more clearly articulate the distinction between a character’s in-world identity and his extra-dramatic function. This more specific usage is supported by the language of the plays, and its usefulness is demonstrated through a study of Sophocles’ Trachiniae.\",\"PeriodicalId\":46255,\"journal\":{\"name\":\"CLASSICAL PHILOLOGY\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.7000,\"publicationDate\":\"2022-04-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"CLASSICAL PHILOLOGY\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1086/718685\",\"RegionNum\":2,\"RegionCategory\":\"历史学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"CLASSICS\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"CLASSICAL PHILOLOGY","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1086/718685","RegionNum":2,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"CLASSICS","Score":null,"Total":0}
Heralds and Messengers: Character Identity and Function in Greek Tragedy
The term “messenger” is generally used in the discussion of Greek tragedy to identify an anonymous character who reports offstage events. Yet “messenger” is not a fixed identifier, to be used in parallel with character names, but a description of a fluid conventional function, best compared with terms such as “prologue-speaker.” By contrasting the messenger with the related figure of the herald we can more clearly articulate the distinction between a character’s in-world identity and his extra-dramatic function. This more specific usage is supported by the language of the plays, and its usefulness is demonstrated through a study of Sophocles’ Trachiniae.
期刊介绍:
Classical Philology has been an internationally respected journal for the study of the life, languages, and thought of the Ancient Greek and Roman world since 1906. CP covers a broad range of topics from a variety of interpretative points of view. CP welcomes both longer articles and short notes or discussions that make a significant contribution to the study of Greek and Roman antiquity. Any field of classical studies may be treated, separately or in relation to other disciplines, ancient or modern. In particular, we invite studies that illuminate aspects of the languages, literatures, history, art, philosophy, social life, and religion of ancient Greece and Rome. Innovative approaches and originality are encouraged as a necessary part of good scholarship.