实验动画:中国科学教育片与实用动画

IF 0.3 2区 艺术学 0 FILM, RADIO, TELEVISION
Muyang Zhuang
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引用次数: 0

摘要

从20世纪50年代初到90年代中期,中华人民共和国制作了许多科学教育电影。许多人利用动画效果,如插图、地图和卡通,促进观众接受科学知识和意识形态信息。目前对中国动画史的研究偏重于上海动画电影制片厂的电影,而忽视了科教电影制片厂的动画创作。在本文中,作者认为,科学教育电影中有用动画的历史为理解中国动画作为实验动画提供了一种不同的方法。动画起到了实验场景的作用,使科学教育电影能够传递知识的信息;他们还启发了业余爱好者进行动画电影制作的实验,以及后社会主义时代的实验动画实践。本文分析了科学教育电影动画、业余动画实践以及受科学教育电影制作启发或从中受益的实验作品。它将丰富对中国动画的研究,并为中国动画史和电影文化在中华人民共和国的发展提供新的视角。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Animation of Experiment: The Science Education Film and Useful Animation in China
From the early 1950s to the mid-1990s, the People’s Republic of China (PRC) produced numerous science education films. Many utilized animated effects, such as illustrations, maps and cartoons, to promote the reception of scientific knowledge and ideological messages by audiences. Current scholarship on Chinese animation history stresses films made by the Shanghai Animation Film Studio, neglecting animation created by filmmakers in science education film studios. In this article, the author argues that the history of useful animation in science education films provides a different approach to understanding Chinese animation as the animation of experiment. Animation functioned as scenes of experiment that enabled science education films to deliver messages of knowledge; they also inspired amateur experiment with animated filmmaking and experimental animation practices in the post-socialist era. This article analyses animation for science education films, amateur animation practices and experimental works inspired by, or that benefited from, science education filmmaking. It will enrich the scholarship on Chinese animation and shed new light on the history of Chinese animation and film culture in the PRC.
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来源期刊
Animation-An Interdisciplinary Journal
Animation-An Interdisciplinary Journal FILM, RADIO, TELEVISION-
CiteScore
0.70
自引率
25.00%
发文量
19
期刊介绍: Especially since the digital shift, animation is increasingly pervasive and implemented in many ways in many disciplines. Animation: An Interdisciplinary Journal provides the first cohesive, international peer-reviewed publishing platform for animation that unites contributions from a wide range of research agendas and creative practice. The journal"s scope is very comprehensive, yet its focus is clear and simple. The journal addresses all animation made using all known (and yet to be developed) techniques - from 16th century optical devices to contemporary digital media - revealing its implications on other forms of time-based media expression past, present and future.
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