鲸鱼奇观

Q1 Arts and Humanities

Journal of Interdisciplinary Voice Studies Pub Date : 2020-04-01 DOI:10.1386/jivs_00014_1

Michal Grover Friedlander

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引用次数: 2

摘要

“鲸鱼奇迹”探索了座头鲸声音的魅力，以及我们在一些涉及音乐的开创性作品中对它的反应——其中包括沃尔特·迪斯尼的《想在大都会歌剧院唱歌的鲸鱼》(1946年)，皮特·西格的《世界上最后一头鲸鱼之歌》(1970年)和约翰·凯奇的《鲸鱼的祈祷》(1980年)。这篇文章考虑了鲸鱼的声音影响歌唱的作品，以及我们对歌唱的概念。“鲸鱼奇迹”展示了这些作品中的音乐如何不仅仅是鲸鱼对我们的象征或意义的投射。当鲸鱼的声音进入音乐时，它改变了音乐，也改变了我们对音乐的理解。

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Whale wonder

‘Whale wonder’ explores the allure of the humpback whale’s voice and our responses to it in a few seminal works involving music ‐ among them, Walt Disney’s The Whale Who Wanted to Sing at the Met (1946), Pete Seeger’s ‘The Song of the World’s Last Whale’ (1970) and John Cage’s ‘Litany for the Whale’ (1980). The article considers works in which the whale’s voice affects singing as well as our very concept of what singing is. ‘Whale wonder’ shows how music in these works is not a mere projection of what the whale symbolizes or signifies for us. As the whale’s voice enters music, it transforms it and our understanding of what music can be.

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来源期刊

Journal of Interdisciplinary Voice Studies Arts and Humanities-Literature and Literary Theory

CiteScore

1.20

自引率

0.00%

发文量