{"title":"因为诗人","authors":"Giulio Carlo Pantalei","doi":"10.17456/SIMPLE-160","DOIUrl":null,"url":null,"abstract":"The transdisciplinary dialogue, the rebellious attitude, and the sublimation of dissidence by experimenting new forms as an act of hope are the key features of the relationship between Pier Paolo Pasolini and Patti Smith, who saluted the Italian writer as one of her greatest teachers throughout her entire career, along with Blake, Rimbaud and the Beats. From the poetry of Babel to the lyrics of Easter , passing through the photographic series Pasolini es vie , the eclectic American artist has never ceased to appraise the literary works and movies of this author as a constant source of inspiration, creating a bond that became very important to the audience but was never properly explored by the critics. In terms of reception, one should not forget that this original relationship also led many (especially outside Italy) to discover the figure of Pasolini. This article seeks to investigate Patti Smith’s Pasolini and the works that influenced her most, revealing through an intertextual and interdiscursive approach how the poet contributed to shape the imaginary and spiritual vision of one among the most important lyrical voices in the world today. DOI : 10.17456/SIMPLE-160 Keywords Pier Paolo Pasolini, Patti Smith, literature and music, poetry, lyrics. Bibliography Alighieri, Dante. 2008. The Divine Comedy (trans. C. H. Sisson). Oxford: Oxford University Press. Blake, William. 2007. Poems: Introduction and selection by Patti Smith . London: Vintage Classics. Benjamin, Walter. 2002. Selected Writings. Volume 3: 1935-1938 . H. Eiland & M. W. Jennings eds. Cambridge (MA): Harvard University Press. Bloom, Harold. 1997 [1973]. The Anxiety of Influence: A Theory of Poetry . Oxford: Oxford University Press. Bockris, Victor & Roberta Bayley. 1999. Patti Smith: An Unauthorized Biography . New York: Simon & Schuster. Carrera, Alessandro. 2001. La voce di Bob Dylan. Una spiegazione dell’America . Milano: Feltrinelli. Chiriaco, Gianpaolo. 2016. Around the sound: paesaggi e prospettive tra etnomusicologia e Studi culturali. Nicoletta Vallorani ed. Introduzione ai Cultural Studies. UK, USA e paesi anglofoni . Roma: Carocci, 143-159. Curtis, Ian. 2014. So This Is Permanence . J. Savage & D. Curtis eds. London: Faber & Faber. Dylan, Bob. 1963. The Freewheelin’ Bob Dylan . New York: Columbia. Dylan, Bob. 1971. Tarantula . New York: Macmillan & Scribner. Dylan, Bob. 1975. Blood on the Tracks . New York: Columbia. Fowlie, Wallace. 1993. Rimbaud and Jim Morrison: The Rebel as Poet . Durham (CA): Duke University Press. Halasz, Judith R. 2015. The Bohemian Ethos: Questioning Work and Making a Scene on the Lower East Side . London: Routledge. Hand, Elizabeth. 2010 (January, 26). Book review: ‘Just Kids’ by Patti Smith. Washington Post . Now on: https://www.washingtonpost.com/wp-dyn/content/article/2010/01/25/AR2010012503700.html (consulted on 06/05/2020). Hutcheon, Linda. 2012. A Theory of Adaptation . London: Routledge. Jameson, Fredric. 1991. Postmodernism, or, The Cultural Logic of Late Capitalism . Durham (NC): Duke University Press. Kraus, Rosalind. 1986. The Originality of the Avant-garde and Other Modernist Myths . Cambridge (MA): MIT Press. Kristeva, Julia. 1986 [1966]. Word, Dialogue and Novel. Julia Kristeva & Toril Moi eds. The Kristeva Reader . New York: Columbia University Press, 34-61. Kroes, Rob. 1988. High Brow Meets Low Brow: American Culture as an Intellectual Concern. Amsterdam: Free University Press. Lacan, Jacques. 1979. The Four Fundamental Concepts of Psychoanalysis (trans. A. Sheridan). London: Penguin. Lipsitz, George. 1997. Dangerous Crossroads: Popular Music, Postmodernism and the Poetics of Place . New York: Verso. Marsh, Dave. 1978 (April, 10). Can Patti Smith Walk on Water? Rolling Stone , http://www.oceanstar.com/patti/crit/rseaster.htm (consulted on 06/05/2020). Minganti, Franco. 2002. La musica giovanile tra globale e locale. Laura Di Michele. Luigi Gaffuri & Michela Nacci (a cura di). Interpretare la differenza . Napoli: Liguori, 221-232. Noland, Carrie J. 1995. Rimbaud and Patti Smith: Style as Social Deviance. Critical Inquiry , 21, 3: 581-610. Pasolini, Pier Paolo. 1964. The Gospel According to St. Matthew . Italia - Francia: Arco Film / Lux Compagnie Cinematographique de France. Pasolini, Pier Paolo. 1976. Le poesie . Milano: Garzanti. Pasolini, Pier Paolo. 1986. The Ragazzi (trans. E. Capouya). Manchester: Carcanet. Pasolini, Pier Paolo. 1996. A Violent Life (trans. W. Weaver). Manchester: Carcanet. Paytress, Mark. 2010. Patti Smith’s Horses and the Remaking of Rock ‘n’ Roll . London: Little, Brown Book Group, Hachette. Rimbaud, Arthur. 2016. Œuvres completes . Paris: Garnier-Flammarion. Shaw, Philip. 2008. Patti Smith’s Horses. New York: Bloomsbury. Shelton, Robert. 1986. Vita e musica di Bob Dylan . Milano: Feltrinelli. Smith, Patti. 1973. Witt . New York: Gotham Book Mart. Smith, Patti. 1975. Horses . New York: Arista. Smith, Patti. 1978. Easter . New York: Arista. Smith, Patti. 1988. Dream of Life . New York: Arista. Smith, Patti. 1996. Il sogno di Rimbaud (trans. M. Bocchiola). Torino: Einaudi. Smith, Patti. 2004. Trampin’ . New York: Columbia. Smith, Patti & & Silvia Boschero. 2005 (November, 3). Io, Patti Smith a scuola da Pasolini. L’Unita . Sul Cristo di Pier Paolo Pasolini: Intervista a Patti Smith. 2013. Borderline . RAI Radiotelevisione Italiana, https://www.youtube.com/watch?v=sQJyPrx2J20&t=129s (consulted on 06/05/2020). Smith, Patti & Fabio Barbieri. 2012 (June, 23). Intervista a Patti Smith. Patchanka . Radio Popolare, https://www.youtube.com/watch?v=mhIptf4GbN8&t=28s (consulted on 06/05/2020). Virgil. 1908. The Aeneid (trans. T. C. Williams). Boston: Houghton Mifflin Co.","PeriodicalId":53737,"journal":{"name":"Simplegadi","volume":"18 1","pages":"107-121"},"PeriodicalIF":0.1000,"publicationDate":"2020-11-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Because the Poet\",\"authors\":\"Giulio Carlo Pantalei\",\"doi\":\"10.17456/SIMPLE-160\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The transdisciplinary dialogue, the rebellious attitude, and the sublimation of dissidence by experimenting new forms as an act of hope are the key features of the relationship between Pier Paolo Pasolini and Patti Smith, who saluted the Italian writer as one of her greatest teachers throughout her entire career, along with Blake, Rimbaud and the Beats. From the poetry of Babel to the lyrics of Easter , passing through the photographic series Pasolini es vie , the eclectic American artist has never ceased to appraise the literary works and movies of this author as a constant source of inspiration, creating a bond that became very important to the audience but was never properly explored by the critics. In terms of reception, one should not forget that this original relationship also led many (especially outside Italy) to discover the figure of Pasolini. This article seeks to investigate Patti Smith’s Pasolini and the works that influenced her most, revealing through an intertextual and interdiscursive approach how the poet contributed to shape the imaginary and spiritual vision of one among the most important lyrical voices in the world today. DOI : 10.17456/SIMPLE-160 Keywords Pier Paolo Pasolini, Patti Smith, literature and music, poetry, lyrics. Bibliography Alighieri, Dante. 2008. The Divine Comedy (trans. C. H. Sisson). Oxford: Oxford University Press. Blake, William. 2007. Poems: Introduction and selection by Patti Smith . London: Vintage Classics. Benjamin, Walter. 2002. Selected Writings. Volume 3: 1935-1938 . H. Eiland & M. W. Jennings eds. Cambridge (MA): Harvard University Press. Bloom, Harold. 1997 [1973]. The Anxiety of Influence: A Theory of Poetry . Oxford: Oxford University Press. Bockris, Victor & Roberta Bayley. 1999. Patti Smith: An Unauthorized Biography . New York: Simon & Schuster. Carrera, Alessandro. 2001. La voce di Bob Dylan. Una spiegazione dell’America . Milano: Feltrinelli. Chiriaco, Gianpaolo. 2016. Around the sound: paesaggi e prospettive tra etnomusicologia e Studi culturali. Nicoletta Vallorani ed. Introduzione ai Cultural Studies. UK, USA e paesi anglofoni . Roma: Carocci, 143-159. Curtis, Ian. 2014. So This Is Permanence . J. Savage & D. Curtis eds. London: Faber & Faber. Dylan, Bob. 1963. The Freewheelin’ Bob Dylan . New York: Columbia. Dylan, Bob. 1971. Tarantula . New York: Macmillan & Scribner. Dylan, Bob. 1975. Blood on the Tracks . New York: Columbia. Fowlie, Wallace. 1993. Rimbaud and Jim Morrison: The Rebel as Poet . Durham (CA): Duke University Press. Halasz, Judith R. 2015. The Bohemian Ethos: Questioning Work and Making a Scene on the Lower East Side . London: Routledge. Hand, Elizabeth. 2010 (January, 26). Book review: ‘Just Kids’ by Patti Smith. Washington Post . Now on: https://www.washingtonpost.com/wp-dyn/content/article/2010/01/25/AR2010012503700.html (consulted on 06/05/2020). Hutcheon, Linda. 2012. A Theory of Adaptation . London: Routledge. Jameson, Fredric. 1991. Postmodernism, or, The Cultural Logic of Late Capitalism . Durham (NC): Duke University Press. Kraus, Rosalind. 1986. The Originality of the Avant-garde and Other Modernist Myths . Cambridge (MA): MIT Press. Kristeva, Julia. 1986 [1966]. Word, Dialogue and Novel. Julia Kristeva & Toril Moi eds. The Kristeva Reader . New York: Columbia University Press, 34-61. Kroes, Rob. 1988. High Brow Meets Low Brow: American Culture as an Intellectual Concern. Amsterdam: Free University Press. Lacan, Jacques. 1979. The Four Fundamental Concepts of Psychoanalysis (trans. A. Sheridan). London: Penguin. Lipsitz, George. 1997. Dangerous Crossroads: Popular Music, Postmodernism and the Poetics of Place . New York: Verso. Marsh, Dave. 1978 (April, 10). Can Patti Smith Walk on Water? Rolling Stone , http://www.oceanstar.com/patti/crit/rseaster.htm (consulted on 06/05/2020). Minganti, Franco. 2002. La musica giovanile tra globale e locale. Laura Di Michele. Luigi Gaffuri & Michela Nacci (a cura di). Interpretare la differenza . Napoli: Liguori, 221-232. Noland, Carrie J. 1995. Rimbaud and Patti Smith: Style as Social Deviance. Critical Inquiry , 21, 3: 581-610. Pasolini, Pier Paolo. 1964. The Gospel According to St. Matthew . Italia - Francia: Arco Film / Lux Compagnie Cinematographique de France. Pasolini, Pier Paolo. 1976. Le poesie . Milano: Garzanti. Pasolini, Pier Paolo. 1986. The Ragazzi (trans. E. Capouya). Manchester: Carcanet. Pasolini, Pier Paolo. 1996. A Violent Life (trans. W. Weaver). Manchester: Carcanet. Paytress, Mark. 2010. Patti Smith’s Horses and the Remaking of Rock ‘n’ Roll . London: Little, Brown Book Group, Hachette. Rimbaud, Arthur. 2016. Œuvres completes . Paris: Garnier-Flammarion. Shaw, Philip. 2008. Patti Smith’s Horses. New York: Bloomsbury. Shelton, Robert. 1986. Vita e musica di Bob Dylan . Milano: Feltrinelli. Smith, Patti. 1973. Witt . New York: Gotham Book Mart. Smith, Patti. 1975. Horses . New York: Arista. Smith, Patti. 1978. Easter . New York: Arista. Smith, Patti. 1988. Dream of Life . New York: Arista. Smith, Patti. 1996. Il sogno di Rimbaud (trans. M. Bocchiola). Torino: Einaudi. Smith, Patti. 2004. Trampin’ . New York: Columbia. Smith, Patti & & Silvia Boschero. 2005 (November, 3). Io, Patti Smith a scuola da Pasolini. L’Unita . Sul Cristo di Pier Paolo Pasolini: Intervista a Patti Smith. 2013. Borderline . RAI Radiotelevisione Italiana, https://www.youtube.com/watch?v=sQJyPrx2J20&t=129s (consulted on 06/05/2020). Smith, Patti & Fabio Barbieri. 2012 (June, 23). Intervista a Patti Smith. Patchanka . Radio Popolare, https://www.youtube.com/watch?v=mhIptf4GbN8&t=28s (consulted on 06/05/2020). Virgil. 1908. The Aeneid (trans. T. C. Williams). 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引用次数: 0
摘要
跨学科的对话、叛逆的态度,以及通过尝试新形式作为希望行为来升华异见,是Pier Paolo Pasolini和Patti Smith之间关系的关键特征。Patti Smith称赞这位意大利作家是她整个职业生涯中最伟大的老师之一,还有Blake、Rimbaud和Beats。从《巴别塔》的诗歌到《复活节》的歌词,再到摄影系列《帕索里尼的生活》,这位不拘一格的美国艺术家从未停止过将这位作家的文学作品和电影视为持续的灵感来源,创造了一种对观众来说非常重要但评论家从未正确探索过的纽带。在接待方面,人们不应该忘记,这种最初的关系也让许多人(尤其是意大利以外的人)发现了帕索里尼的形象。本文试图调查帕蒂·史密斯的《帕索里尼》和对她影响最大的作品,通过互文和互译的方法揭示诗人是如何帮助塑造当今世界上最重要的抒情声音之一的想象和精神愿景的。DOI:10.17456/SIMPLE-160关键词Pier Paolo Pasolini,Patti Smith,文学和音乐,诗歌,歌词。参考书目Alighieri,Dante。2008年,《神曲》(C.H.Sisson)。牛津:牛津大学出版社。布莱克,威廉。2007年,诗歌:帕蒂·史密斯选集。伦敦:复古经典。本杰明,沃尔特。2002年,选集。第3卷:1935-1938年。H.Eiland和M.W.Jennings编辑。剑桥(MA):哈佛大学出版社。布鲁姆,哈罗德。1997[1973]。影响的焦虑:一种诗歌理论。牛津:牛津大学出版社。维克多·博克里斯和罗伯塔·贝利。1999年,帕蒂·史密斯:未经授权的传记。纽约:西蒙与舒斯特。卡雷拉,亚历山德罗。2001年,鲍勃·迪伦之声。《美洲日报》。米兰:费尔特里内利。Chiriaco,Gianpaolo。2016年。围绕声音:paesaggi e prospective tra etnomusicolonia e Studi culturali。Nicoletta Vallorani主编《文化研究导论》。英国、美国和英国。罗马:卡洛奇,143-159年。柯蒂斯,伊恩。2014年。所以这就是永恒。J.Savage和D.Curtis编辑。伦敦:费伯和费伯。迪伦,鲍勃。1963年,鲍勃·迪伦的自由轮。纽约:哥伦比亚。迪伦,鲍勃。1971年,狼蛛。纽约:麦克米伦和斯克里布纳。迪伦,鲍勃。1975年,《血迹斑斑》。纽约:哥伦比亚。福莉,华莱士。1993年,兰波和吉姆·莫里森:作为诗人的反叛者。达勒姆(加利福尼亚州):杜克大学出版社。Halasz,Judith R.,2015年。《波西米亚民族:质疑工作并在下东区大放异彩》。伦敦:劳特利奇。手,伊丽莎白。2010年(1月26日)。书评:帕蒂·史密斯的《只是孩子》。《华盛顿邮报》。现在开始:https://www.washingtonpost.com/wp-dyn/content/article/2010/01/25/AR2010012503700.html(于2020年5月6日咨询)。胡琴,琳达。2012年,《适应理论》。伦敦:劳特利奇。弗雷德里克·詹姆森。1991年,后现代主义,或者说,晚期资本主义的文化逻辑。达勒姆(北卡罗来纳州):杜克大学出版社。克劳斯,罗莎琳德。1986年,先锋派和其他现代主义神话的起源。剑桥(马萨诸塞州):麻省理工学院出版社。克里斯特娃,朱莉娅。1986年[1966]。单词、对话和小说。Julia Kristeva和Toril Moi编辑。Kristeva读者。纽约:哥伦比亚大学出版社,34-61。克罗斯,罗伯。1988年,《高眉毛遇见低眉毛:作为知识分子关注的美国文化》。阿姆斯特丹:自由大学出版社。雅克,拉康。1979年,心理分析的四个基本概念(A.Sheridan)。伦敦:企鹅。利普西茨,乔治。1997年,《危险的十字路口:流行音乐、后现代主义与地方诗学》。纽约:Verso。马什,戴夫。1978年(4月10日)。帕蒂·史密斯能在水上行走吗?《滚石》杂志http://www.oceanstar.com/patti/crit/rseaster.htm(于2020年5月6日咨询)。明甘蒂,佛朗哥。2002年,全球音乐节。劳拉·迪米歇尔。Luigi Gaffuri和Michela Nacci(一个cura di)。解释差异。那不勒斯:利古里,221-232。Noland,Carrie J.1995。兰波和帕蒂·史密斯:作为社会偏差的风格。关键调查,21,3:581-610。帕索里尼,保罗。1964年,《马太福音》。意大利-法国:Arco Film/Lux Compagnie Cinematographicque de France。帕索里尼,保罗。1976年,Le poesie。米兰:加赞蒂。帕索里尼,保罗。1986年,拉加齐(E.Capouya)。曼彻斯特:Carcanet。帕索里尼,保罗。1996年,《暴力的生活》(韦弗)。曼彻斯特:Carcanet。Paytress,Mark。2010年,帕蒂·史密斯的《马与摇滚翻拍》。伦敦:利特尔,布朗图书集团,哈切特。兰波,亚瑟。2016年。Œuvres完成。巴黎:加涅尔·弗拉马里翁。菲利普,肖。2008年,帕蒂·史密斯的马。纽约:布鲁姆斯伯里。谢尔顿,罗伯特。1986年,鲍勃·迪伦的音乐生活。米兰:费尔特里内利。史密斯,帕蒂。1973年,维特。纽约:哥谭书市。史密斯,帕蒂。1975年。马。纽约:阿里斯塔。史密斯,帕蒂。1978年,复活节。 纽约:阿里斯塔。史密斯,帕蒂。1988年,《梦想人生》。纽约:阿里斯塔。史密斯,帕蒂。1996年,兰波的梦想(博奇奥拉译)。都灵:埃诺迪。史密斯,帕蒂。2004年,Trampin。纽约:哥伦比亚。Smith,Patti&&Silvia Boschero。2005年(11月3日)。我,帕索里尼餐厅的帕蒂·史密斯。L'Unita。帕索里尼的《论基督》:帕蒂·史密斯访谈录。2013.边界线。意大利RAI电台,https://www.youtube.com/watch?v=sQJyPrx2J20&t=129s(于2020年5月6日咨询)。Smith、Patti和Fabio Barbieri。2012年(6月23日)。帕蒂·史密斯访谈。帕昌卡。Popolare电台,https://www.youtube.com/watch?v=mhIptf4GbN8&t=28s(于2020年5月6日咨询)。维吉尔。1908年,《埃涅阿斯纪》(T·C·威廉姆斯译)。波士顿:Houghton Mifflin公司。
The transdisciplinary dialogue, the rebellious attitude, and the sublimation of dissidence by experimenting new forms as an act of hope are the key features of the relationship between Pier Paolo Pasolini and Patti Smith, who saluted the Italian writer as one of her greatest teachers throughout her entire career, along with Blake, Rimbaud and the Beats. From the poetry of Babel to the lyrics of Easter , passing through the photographic series Pasolini es vie , the eclectic American artist has never ceased to appraise the literary works and movies of this author as a constant source of inspiration, creating a bond that became very important to the audience but was never properly explored by the critics. In terms of reception, one should not forget that this original relationship also led many (especially outside Italy) to discover the figure of Pasolini. This article seeks to investigate Patti Smith’s Pasolini and the works that influenced her most, revealing through an intertextual and interdiscursive approach how the poet contributed to shape the imaginary and spiritual vision of one among the most important lyrical voices in the world today. DOI : 10.17456/SIMPLE-160 Keywords Pier Paolo Pasolini, Patti Smith, literature and music, poetry, lyrics. Bibliography Alighieri, Dante. 2008. The Divine Comedy (trans. C. H. Sisson). Oxford: Oxford University Press. Blake, William. 2007. Poems: Introduction and selection by Patti Smith . London: Vintage Classics. Benjamin, Walter. 2002. Selected Writings. Volume 3: 1935-1938 . H. Eiland & M. W. Jennings eds. Cambridge (MA): Harvard University Press. Bloom, Harold. 1997 [1973]. The Anxiety of Influence: A Theory of Poetry . Oxford: Oxford University Press. Bockris, Victor & Roberta Bayley. 1999. Patti Smith: An Unauthorized Biography . New York: Simon & Schuster. Carrera, Alessandro. 2001. La voce di Bob Dylan. Una spiegazione dell’America . Milano: Feltrinelli. Chiriaco, Gianpaolo. 2016. Around the sound: paesaggi e prospettive tra etnomusicologia e Studi culturali. Nicoletta Vallorani ed. Introduzione ai Cultural Studies. UK, USA e paesi anglofoni . Roma: Carocci, 143-159. Curtis, Ian. 2014. So This Is Permanence . J. Savage & D. Curtis eds. London: Faber & Faber. Dylan, Bob. 1963. The Freewheelin’ Bob Dylan . New York: Columbia. Dylan, Bob. 1971. Tarantula . New York: Macmillan & Scribner. Dylan, Bob. 1975. Blood on the Tracks . New York: Columbia. Fowlie, Wallace. 1993. Rimbaud and Jim Morrison: The Rebel as Poet . Durham (CA): Duke University Press. Halasz, Judith R. 2015. The Bohemian Ethos: Questioning Work and Making a Scene on the Lower East Side . London: Routledge. Hand, Elizabeth. 2010 (January, 26). Book review: ‘Just Kids’ by Patti Smith. Washington Post . Now on: https://www.washingtonpost.com/wp-dyn/content/article/2010/01/25/AR2010012503700.html (consulted on 06/05/2020). Hutcheon, Linda. 2012. A Theory of Adaptation . London: Routledge. Jameson, Fredric. 1991. Postmodernism, or, The Cultural Logic of Late Capitalism . Durham (NC): Duke University Press. Kraus, Rosalind. 1986. The Originality of the Avant-garde and Other Modernist Myths . Cambridge (MA): MIT Press. Kristeva, Julia. 1986 [1966]. Word, Dialogue and Novel. Julia Kristeva & Toril Moi eds. The Kristeva Reader . New York: Columbia University Press, 34-61. Kroes, Rob. 1988. High Brow Meets Low Brow: American Culture as an Intellectual Concern. Amsterdam: Free University Press. Lacan, Jacques. 1979. The Four Fundamental Concepts of Psychoanalysis (trans. A. Sheridan). London: Penguin. Lipsitz, George. 1997. Dangerous Crossroads: Popular Music, Postmodernism and the Poetics of Place . New York: Verso. Marsh, Dave. 1978 (April, 10). Can Patti Smith Walk on Water? Rolling Stone , http://www.oceanstar.com/patti/crit/rseaster.htm (consulted on 06/05/2020). Minganti, Franco. 2002. La musica giovanile tra globale e locale. Laura Di Michele. Luigi Gaffuri & Michela Nacci (a cura di). Interpretare la differenza . Napoli: Liguori, 221-232. Noland, Carrie J. 1995. Rimbaud and Patti Smith: Style as Social Deviance. Critical Inquiry , 21, 3: 581-610. Pasolini, Pier Paolo. 1964. The Gospel According to St. Matthew . Italia - Francia: Arco Film / Lux Compagnie Cinematographique de France. Pasolini, Pier Paolo. 1976. Le poesie . Milano: Garzanti. Pasolini, Pier Paolo. 1986. The Ragazzi (trans. E. Capouya). Manchester: Carcanet. Pasolini, Pier Paolo. 1996. A Violent Life (trans. W. Weaver). Manchester: Carcanet. Paytress, Mark. 2010. Patti Smith’s Horses and the Remaking of Rock ‘n’ Roll . London: Little, Brown Book Group, Hachette. Rimbaud, Arthur. 2016. Œuvres completes . Paris: Garnier-Flammarion. Shaw, Philip. 2008. Patti Smith’s Horses. 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