{"title":"“作为女权主义平台的体裁:诊断、愤怒和连续剧”","authors":"Kathleen Mchugh","doi":"10.1177/15274764231171067","DOIUrl":null,"url":null,"abstract":"How has the creation of neurodiverse female protagonists worked to make women’s anger generically viable, stripped of conventional stigma? The female T.V. showrunners of Crazy-Ex Girlfriend, Physical, and I May Destroy You fashion genres from musical comedy to autofiction, as feminist platforms through their leads’ diagnoses. These diagnoses facilitate serial generic narratives where the distinction between norm and pathology (the basis of feminized stigma, shame, and abjection) is inverted or blurred. What results is an intersectional complexity (of genre world and angry, neurodiverse character) that calls normative social strictures pointedly into question. These shows’ female, of color and queer characters generate intersectional “trouble” from stigmatized affects (shame, abjection, depression, rage) and bad behaviors (stalking, bullying, lying, and deception, vengeance, violence). Their narratives of angry, neurodiverse characters provide trenchant feminist platforms for rewriting cultural norms concerning women’s anger, sexuality, ambition, and appetite.","PeriodicalId":51551,"journal":{"name":"Television & New Media","volume":"24 1","pages":"535 - 548"},"PeriodicalIF":2.4000,"publicationDate":"2023-05-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"“Genre as Feminist Platform: Diagnosis, Anger, and Serial T.V.”\",\"authors\":\"Kathleen Mchugh\",\"doi\":\"10.1177/15274764231171067\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"How has the creation of neurodiverse female protagonists worked to make women’s anger generically viable, stripped of conventional stigma? The female T.V. showrunners of Crazy-Ex Girlfriend, Physical, and I May Destroy You fashion genres from musical comedy to autofiction, as feminist platforms through their leads’ diagnoses. These diagnoses facilitate serial generic narratives where the distinction between norm and pathology (the basis of feminized stigma, shame, and abjection) is inverted or blurred. What results is an intersectional complexity (of genre world and angry, neurodiverse character) that calls normative social strictures pointedly into question. These shows’ female, of color and queer characters generate intersectional “trouble” from stigmatized affects (shame, abjection, depression, rage) and bad behaviors (stalking, bullying, lying, and deception, vengeance, violence). Their narratives of angry, neurodiverse characters provide trenchant feminist platforms for rewriting cultural norms concerning women’s anger, sexuality, ambition, and appetite.\",\"PeriodicalId\":51551,\"journal\":{\"name\":\"Television & New Media\",\"volume\":\"24 1\",\"pages\":\"535 - 548\"},\"PeriodicalIF\":2.4000,\"publicationDate\":\"2023-05-26\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Television & New Media\",\"FirstCategoryId\":\"98\",\"ListUrlMain\":\"https://doi.org/10.1177/15274764231171067\",\"RegionNum\":2,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"COMMUNICATION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Television & New Media","FirstCategoryId":"98","ListUrlMain":"https://doi.org/10.1177/15274764231171067","RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"COMMUNICATION","Score":null,"Total":0}
“Genre as Feminist Platform: Diagnosis, Anger, and Serial T.V.”
How has the creation of neurodiverse female protagonists worked to make women’s anger generically viable, stripped of conventional stigma? The female T.V. showrunners of Crazy-Ex Girlfriend, Physical, and I May Destroy You fashion genres from musical comedy to autofiction, as feminist platforms through their leads’ diagnoses. These diagnoses facilitate serial generic narratives where the distinction between norm and pathology (the basis of feminized stigma, shame, and abjection) is inverted or blurred. What results is an intersectional complexity (of genre world and angry, neurodiverse character) that calls normative social strictures pointedly into question. These shows’ female, of color and queer characters generate intersectional “trouble” from stigmatized affects (shame, abjection, depression, rage) and bad behaviors (stalking, bullying, lying, and deception, vengeance, violence). Their narratives of angry, neurodiverse characters provide trenchant feminist platforms for rewriting cultural norms concerning women’s anger, sexuality, ambition, and appetite.
期刊介绍:
Television & New Media explores the field of television studies, focusing on audience ethnography, public policy, political economy, cultural history, and textual analysis. Special topics covered include digitalization, active audiences, cable and satellite issues, pedagogy, interdisciplinary matters, and globalization, as well as race, gender, and class issues.