{"title":"苏格拉底、萨蒂尔和萨蒂尔在柏拉图专题讨论会上的戏剧","authors":"D. Sansone","doi":"10.5406/ILLICLASSTUD.43.1.0058","DOIUrl":null,"url":null,"abstract":"Abstract:In the Symposium Plato associates Socrates with satyrs and satyr-play for two reasons: First, satyr-plays were the creation of tragic, not comic, playwrights, and Plato wishes to present his Socratic dialogues as the heirs to the prestige of an elevated, not a lewd, genre; second, the figure of the satyr, for all his rampant sexuality, is traditionally barren, a characteristic that Plato assigns (metaphorically) to Socrates in his role as midwife to the fecund minds of young men.","PeriodicalId":81501,"journal":{"name":"Illinois classical studies","volume":"43 1","pages":"58 - 87"},"PeriodicalIF":0.0000,"publicationDate":"2018-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Socrates, Satyrs, and Satyr-Play in Plato's Symposium\",\"authors\":\"D. Sansone\",\"doi\":\"10.5406/ILLICLASSTUD.43.1.0058\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:In the Symposium Plato associates Socrates with satyrs and satyr-play for two reasons: First, satyr-plays were the creation of tragic, not comic, playwrights, and Plato wishes to present his Socratic dialogues as the heirs to the prestige of an elevated, not a lewd, genre; second, the figure of the satyr, for all his rampant sexuality, is traditionally barren, a characteristic that Plato assigns (metaphorically) to Socrates in his role as midwife to the fecund minds of young men.\",\"PeriodicalId\":81501,\"journal\":{\"name\":\"Illinois classical studies\",\"volume\":\"43 1\",\"pages\":\"58 - 87\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2018-10-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Illinois classical studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5406/ILLICLASSTUD.43.1.0058\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Illinois classical studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5406/ILLICLASSTUD.43.1.0058","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Socrates, Satyrs, and Satyr-Play in Plato's Symposium
Abstract:In the Symposium Plato associates Socrates with satyrs and satyr-play for two reasons: First, satyr-plays were the creation of tragic, not comic, playwrights, and Plato wishes to present his Socratic dialogues as the heirs to the prestige of an elevated, not a lewd, genre; second, the figure of the satyr, for all his rampant sexuality, is traditionally barren, a characteristic that Plato assigns (metaphorically) to Socrates in his role as midwife to the fecund minds of young men.
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