{"title":"“如果你冒我的险,我就冒你的险”:玛丽莲·达克沃斯《活着结婚》中人类存在和关系的模糊性","authors":"A. Orzechowska","doi":"10.7311/0860-5734.27.1.10","DOIUrl":null,"url":null,"abstract":"The aim of this paper is to analyse Marilyn Duckworth’s Married Alive within the framework of Simone de Beauvoir’s philosophy of ambiguity, risk and reciprocal recognition. It is argued that the New Zealand writer represents human relationships both as a potential threat to one’s subjectivity, conceptualising them in terms of conflict and competition, and a necessity that may enrich both parties. What is celebrated in the novel as the key to establishing a mutually rewarding bond is the wilful acceptance of risk and reciprocal recognition of oneself and the lover as both subject and object.","PeriodicalId":36615,"journal":{"name":"Anglica","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2018-10-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"“I’ll risk you, if you’ll risk me”: The Ambiguity of Human Existence and Relationships in Marilyn Duckworth’s Married Alive\",\"authors\":\"A. Orzechowska\",\"doi\":\"10.7311/0860-5734.27.1.10\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The aim of this paper is to analyse Marilyn Duckworth’s Married Alive within the framework of Simone de Beauvoir’s philosophy of ambiguity, risk and reciprocal recognition. It is argued that the New Zealand writer represents human relationships both as a potential threat to one’s subjectivity, conceptualising them in terms of conflict and competition, and a necessity that may enrich both parties. What is celebrated in the novel as the key to establishing a mutually rewarding bond is the wilful acceptance of risk and reciprocal recognition of oneself and the lover as both subject and object.\",\"PeriodicalId\":36615,\"journal\":{\"name\":\"Anglica\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2018-10-17\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Anglica\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.7311/0860-5734.27.1.10\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Anglica","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7311/0860-5734.27.1.10","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Arts and Humanities","Score":null,"Total":0}
“I’ll risk you, if you’ll risk me”: The Ambiguity of Human Existence and Relationships in Marilyn Duckworth’s Married Alive
The aim of this paper is to analyse Marilyn Duckworth’s Married Alive within the framework of Simone de Beauvoir’s philosophy of ambiguity, risk and reciprocal recognition. It is argued that the New Zealand writer represents human relationships both as a potential threat to one’s subjectivity, conceptualising them in terms of conflict and competition, and a necessity that may enrich both parties. What is celebrated in the novel as the key to establishing a mutually rewarding bond is the wilful acceptance of risk and reciprocal recognition of oneself and the lover as both subject and object.