{"title":"能看到下级军官吗?","authors":"Sourav Kargupta","doi":"10.1080/0969725X.2022.2046371","DOIUrl":null,"url":null,"abstract":"Abstract Following Jacques Derrida’s reflections on witnessing and testimony, this article proposes a discontinuous economy between human witnessing and the nonhuman (de-)framing of any such instituted work of judgement, clandestinely calling the latter nonhuman witnessing. It then shows that nonhuman witnessing can be understood with what Derrida terms the poetic – a transitional inscription between legibility and illegibility – with which he complicates the legal understanding of witnessing, especially in dealing with the problem of the singularity of testimony. Confronting this idea of poetic writing with Gayatri Chakravorty Spivak’s notion of the literary staging of singularity, the article argues that this particular deconstructive trajectory can be turned towards an ethical mapping of the events of singular subalternity. In its latter half, the article makes two speculative moves in exploring the work of nonhuman witnessing in the postcolonial context. It first offers a critical note on Spivak’s auto-analytic method that she paradigmatically performs in situating the postcolonial woman intellectual in “Can the Subaltern Speak?” It then discusses her juxtaposition, of the account of the suicide of Bhubaneswari Bhaduri, with the analysis of the epistemic conditions of production of the satidaha, concluding that Bhaduri’s post-mortem exposure inscribes the contours of a radically nonhuman witnessing.","PeriodicalId":45929,"journal":{"name":"ANGELAKI-JOURNAL OF THE THEORETICAL HUMANITIES","volume":"27 1","pages":"57 - 71"},"PeriodicalIF":0.2000,"publicationDate":"2022-03-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"CAN THE SUBALTERN BE WITNESSED?\",\"authors\":\"Sourav Kargupta\",\"doi\":\"10.1080/0969725X.2022.2046371\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract Following Jacques Derrida’s reflections on witnessing and testimony, this article proposes a discontinuous economy between human witnessing and the nonhuman (de-)framing of any such instituted work of judgement, clandestinely calling the latter nonhuman witnessing. It then shows that nonhuman witnessing can be understood with what Derrida terms the poetic – a transitional inscription between legibility and illegibility – with which he complicates the legal understanding of witnessing, especially in dealing with the problem of the singularity of testimony. Confronting this idea of poetic writing with Gayatri Chakravorty Spivak’s notion of the literary staging of singularity, the article argues that this particular deconstructive trajectory can be turned towards an ethical mapping of the events of singular subalternity. In its latter half, the article makes two speculative moves in exploring the work of nonhuman witnessing in the postcolonial context. It first offers a critical note on Spivak’s auto-analytic method that she paradigmatically performs in situating the postcolonial woman intellectual in “Can the Subaltern Speak?” It then discusses her juxtaposition, of the account of the suicide of Bhubaneswari Bhaduri, with the analysis of the epistemic conditions of production of the satidaha, concluding that Bhaduri’s post-mortem exposure inscribes the contours of a radically nonhuman witnessing.\",\"PeriodicalId\":45929,\"journal\":{\"name\":\"ANGELAKI-JOURNAL OF THE THEORETICAL HUMANITIES\",\"volume\":\"27 1\",\"pages\":\"57 - 71\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2022-03-04\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"ANGELAKI-JOURNAL OF THE THEORETICAL HUMANITIES\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/0969725X.2022.2046371\",\"RegionNum\":4,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"ANGELAKI-JOURNAL OF THE THEORETICAL HUMANITIES","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/0969725X.2022.2046371","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
Abstract Following Jacques Derrida’s reflections on witnessing and testimony, this article proposes a discontinuous economy between human witnessing and the nonhuman (de-)framing of any such instituted work of judgement, clandestinely calling the latter nonhuman witnessing. It then shows that nonhuman witnessing can be understood with what Derrida terms the poetic – a transitional inscription between legibility and illegibility – with which he complicates the legal understanding of witnessing, especially in dealing with the problem of the singularity of testimony. Confronting this idea of poetic writing with Gayatri Chakravorty Spivak’s notion of the literary staging of singularity, the article argues that this particular deconstructive trajectory can be turned towards an ethical mapping of the events of singular subalternity. In its latter half, the article makes two speculative moves in exploring the work of nonhuman witnessing in the postcolonial context. It first offers a critical note on Spivak’s auto-analytic method that she paradigmatically performs in situating the postcolonial woman intellectual in “Can the Subaltern Speak?” It then discusses her juxtaposition, of the account of the suicide of Bhubaneswari Bhaduri, with the analysis of the epistemic conditions of production of the satidaha, concluding that Bhaduri’s post-mortem exposure inscribes the contours of a radically nonhuman witnessing.
期刊介绍:
Angelaki: journal of the theoretical humanities was established in September 1993 to provide an international forum for vanguard work in the theoretical humanities. In itself a contentious category, "theoretical humanities" represents the productive nexus of work in the disciplinary fields of literary criticism and theory, philosophy, and cultural studies. The journal is dedicated to the refreshing of intellectual coordinates, and to the challenging and vivifying process of re-thinking. Angelaki: journal of the theoretical humanities encourages a critical engagement with theory in terms of disciplinary development and intellectual and political usefulness, the inquiry into and articulation of culture.