Norteño公司：身体，性别，声音，和经济在商业化的Norteño音乐视频

IF 1.3 3区艺术学 0 MUSIC

POPULAR MUSIC AND SOCIETY Pub Date : 2022-04-19 DOI:10.1080/03007766.2022.2043427

S. Hutchinson

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引用次数: 0

摘要

摘要本文分析了北欧人的身体，即身体如何与北欧音乐进行身体接触，并在视觉上展示北欧人的身份。通过对75多个主流视频的比较，它解释了当前的北欧人的身体与早期的身体有何不同，为什么它与tejano人的不同，以及为什么它与黑帮说唱非常相似。本文运用跨学科的方法，着重探讨音乐表演中的平庸与平凡；通过这样做，它展示了性别和种族如何与美墨边境地区的新自由主义相互影响。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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Norteño Corporeality: Body, Gender, Sound, and Economy in Commercialized Norteño Music Videos

ABSTRACT This article analyzes norteño corporeality, or how bodies physically engage with norteño music and visually display norteño identities. Through a comparison of more than 75 mainstream videos, it explains how current norteño corporeality differs from earlier corporealities, why it differs from tejano ones, and why it strongly resembles those of gangsta rap. Using an interdisciplinary approach, the article focuses on the banal and the ordinary in musical performance; in so doing it shows how gender and race interact with and are affected by neoliberalism in the US-Mexico border area.

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来源期刊

POPULAR MUSIC AND SOCIETY MUSIC-

CiteScore

1.10

自引率

0.00%

发文量

期刊介绍： Popular Music and Society, founded in 1971, publishes articles, book reviews, and audio reviews on popular music of any genre, time period, or geographic location. Popular Music and Society is open to all scholarly orientations toward popular music, including (but not limited to) historical, theoretical, critical, sociological, and cultural approaches. The terms "popular" and "society" are broadly defined to accommodate a wide range of articles on the subject. Recent and forthcoming Special Issue topics include: Digital Music Delivery, Cover Songs, the Music Monopoly, Jazz, and the Kinks. Popular Music and Society is published five times per year and is a peer-reviewed academic journal supported by an international editorial board.