珍妮弗·纳什的《重塑黑人女权主义：交叉性之后》（综述）

IF 0.3 3区文学 0 LITERATURE, AMERICAN

AFRICAN AMERICAN REVIEW Pub Date : 2022-03-01 DOI:10.1353/afa.2022.0009

Brenna M. Casey

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引用次数: 0

摘要

它被种植在田地里，由被奴役的人浇水，最终长成一棵大树，成为多名黑人的私刑场所”（200）。在这里，“沃克将‘美国’的创造修改为‘非裔美国人’的创造，恢复了一段被净化和粉饰的历史的黑人起源”，以“将种族奴隶制视为神话”（201203）。这篇强有力的文章的含义，以及整个《种族与视觉》，促使我们考虑“肉体与神话之间的关系”、视觉与感觉、力量与感知。

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Black Feminism Reimagined: After Intersectionality by Jennifer Nash (review)

which is planted in a field, watered by the enslaved man, and eventually grows into a tall tree that becomes a lynching site for multiple black men” (200). Here, “Walker revises the creation of ‘America’ as the creation of ‘African America,’ recovering the black origins of a history that has been sanitized and whitewashed” to “present racial slavery as myth” (201, 203). The implications of this powerful essay, and indeed Race and Vision as a whole, urge us to consider the “relationship between flesh and myth,” sight and sense, power and perception.

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来源期刊

AFRICAN AMERICAN REVIEW LITERATURE, AMERICAN-

CiteScore

0.30

自引率

0.00%

发文量

期刊介绍： As the official publication of the Division on Black American Literature and Culture of the Modern Language Association, the quarterly journal African American Review promotes a lively exchange among writers and scholars in the arts, humanities, and social sciences who hold diverse perspectives on African American literature and culture. Between 1967 and 1976, the journal appeared under the title Negro American Literature Forum and for the next fifteen years was titled Black American Literature Forum. In 1992, African American Review changed its name for a third time and expanded its mission to include the study of a broader array of cultural formations.