{"title":"“Nonagon无穷大开门!”:从吉萨国王和蜥蜴巫师音乐的动机相互关系看跨专辑概念的形成","authors":"Paul Ballam-Cross","doi":"10.1558/prbt.38104","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":41217,"journal":{"name":"Perfect Beat","volume":"20 1","pages":"68-91"},"PeriodicalIF":0.2000,"publicationDate":"2020-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"‘Nonagon infinity opens the door!’: Formation of a cross-album concept through motivic interrelation in the music of King Gizzard and the Lizard Wizard\",\"authors\":\"Paul Ballam-Cross\",\"doi\":\"10.1558/prbt.38104\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\",\"PeriodicalId\":41217,\"journal\":{\"name\":\"Perfect Beat\",\"volume\":\"20 1\",\"pages\":\"68-91\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2020-07-03\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Perfect Beat\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1558/prbt.38104\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Perfect Beat","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1558/prbt.38104","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Arts and Humanities","Score":null,"Total":0}
‘Nonagon infinity opens the door!’: Formation of a cross-album concept through motivic interrelation in the music of King Gizzard and the Lizard Wizard