为土壤腾出时间

IF 0.2 4区 艺术学 N/A ARCHITECTURE
Johan Liekens, Nel Janssens
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引用次数: 0

摘要

在这篇文章中,三个特定的室内建筑文物和环境,作为过去和现在的家庭和(在)(共同)居住的表达,呈现出一种开放的想法,邀请读者重新定义室内和土壤之间的准毫无疑问的关系。这包括打破物质和概念的界限,也包括政治和道德的界限,这些界限将内部和土壤分开。首先,我们探索了过去的两个圆顶室内,在我们的解释中,它们都是土壤上的透镜——土壤是一种黑暗的元素,在很大程度上超出了室内建筑的兴趣和研究范围。基于我们在这些室内的生活经验,本文构建了一个更有意识和更彻底地涉及和关心土壤的室内实践的论点。2015年被联合国宣布为国际土壤年,土壤与各种可持续发展目标相关,因此参与这一充满活力的问题面临着紧迫的挑战。在这里,室内和室内建筑作为一种材料人工制品或一种护理实践,可以发挥重要作用。过去的两个圆顶内饰作为体验背景,文章展望了土壤时代的主动设计驱动的研究探险S,它目前作为一系列26件文物的一部分,共同构成了一条研究线和一种新的字母表,通过引入一种特殊的开放性来重新塑造室内建筑:一种为土壤创造时间的开放性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Making time for soil
In this article, three particular interior-architectural artifacts and environments, connected as past and present expressions of home and (in)(co)habitation, present an idea of openness that invites the reader to re-figure the quasi unquestioned relationship between interior and soil. This involves breaking up the material and conceptual but also the political and moral boundaries that set and keep interior and soil apart. First, two domed interiors of the past are explored, which in our interpretation each have operated as a lens on soil—an element that remains a dark alterity and a matter largely out of scope of interior-architectural interests and investigations. Based on our lived experiences in these interiors, the article constructs an argument for interior practices that more consciously and radically involve with and care for soil. For this it specifically connects to Maria Puig de la Bellacasa’s work Matters of Care. 2015 having been declared as the International Year of Soils by the United Nations and soil being related to various Sustainability Development Goals, there is an urgent challenge for involvements with that vibrant matter. Herein, the interior and interior-architecture, as a material artifact or a practice of care, can play important roles. The two domed interiors of the past serving as an experiential backdrop, the article then foregrounds the active design driven research expedition S for Soil Times, which currently develops as part of a series of 26 artifacts that together constitute a research line and a novel alphabet for re-figuring interior-architecture by introducing to it a particular openness: an openness that makes time for soil.
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来源期刊
CiteScore
0.20
自引率
0.00%
发文量
5
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