光与空气的世界：20世纪30年代的杜法伊和赛洛罗姆

Q2 Arts and Humanities

Visual Culture in Britain Pub Date : 2020-03-23 DOI:10.1080/14714787.2020.1730706

M. Henning

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引用次数: 3

摘要

在20世纪30年代，新的摄影技术和实践解决了在英国及其殖民地应对不同气候的困难。本文借鉴了与英国伊尔福德有限公司生产的两个品牌摄影胶片相关的档案材料:Selochrome和Dufaycolor。它将这些电影描述为“世界化”的过程，并将其作为“摄影综合体”的一部分，将热带和英国海滨作为摄影的试验场。世界包括光和空气的利用，身体的重新校准，感官体验的重新分配和新材料的生产。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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The Worlding of Light and Air: Dufaycolor and Selochrome in the 1930s

During the 1930s, new photographic technologies and practices addressed the difficulties of dealing with different kinds of climate, in Britain and her colonies. This article draws on archival material associated with two brands of photographic film manufactured in England by Ilford Limited: Selochrome and Dufaycolor. It describes these films as involved in a process of ‘worlding’, and as part of a ‘photography complex’ which produces the tropics and the British seaside as testing grounds for photography. Worlding involves the harnessing of light and air, the recalibration of bodies, the redistribution of sensory experiences and the production of new materialities.

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来源期刊

Visual Culture in Britain Arts and Humanities-Visual Arts and Performing Arts

CiteScore

0.60

自引率

0.00%

发文量