{"title":"鼓膜穿刺","authors":"P. ffrench","doi":"10.1080/0969725X.2023.2216554","DOIUrl":null,"url":null,"abstract":"Abstract Emerging in the wake of the broad paradigm of semiotics in discourses in the human sciences in France in the 1960s, and from other developments and emergent tendencies in philosophy and critical theory, a cluster of works in French thought of the 1970s, by Gilles Deleuze and Félix Guattari, Jean-François Lyotard, and Roland Barthes, investigate the liminal spaces and dynamic relations between sense, sound, and noise. Depending on the angle adopted, these investigations bear upon the relations between articulated sound and noise; language and sound, the formed and the unformed, the coded and the non-coded, sound and music, sound and silence, and other formulations of acoustic liminality. This article brings to light how noise is an operative concept across this material; I argue for its pertinence to the question of the “mental state of noise” as elaborated by Steven Sands and John Ratey in their seminal piece “The Concept of Noise,” and then critically assessed by Cécile Malaspina in The Epistemology of Noise.","PeriodicalId":45929,"journal":{"name":"ANGELAKI-JOURNAL OF THE THEORETICAL HUMANITIES","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2023-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Pierced Eardrums\",\"authors\":\"P. ffrench\",\"doi\":\"10.1080/0969725X.2023.2216554\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract Emerging in the wake of the broad paradigm of semiotics in discourses in the human sciences in France in the 1960s, and from other developments and emergent tendencies in philosophy and critical theory, a cluster of works in French thought of the 1970s, by Gilles Deleuze and Félix Guattari, Jean-François Lyotard, and Roland Barthes, investigate the liminal spaces and dynamic relations between sense, sound, and noise. Depending on the angle adopted, these investigations bear upon the relations between articulated sound and noise; language and sound, the formed and the unformed, the coded and the non-coded, sound and music, sound and silence, and other formulations of acoustic liminality. This article brings to light how noise is an operative concept across this material; I argue for its pertinence to the question of the “mental state of noise” as elaborated by Steven Sands and John Ratey in their seminal piece “The Concept of Noise,” and then critically assessed by Cécile Malaspina in The Epistemology of Noise.\",\"PeriodicalId\":45929,\"journal\":{\"name\":\"ANGELAKI-JOURNAL OF THE THEORETICAL HUMANITIES\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2023-05-04\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"ANGELAKI-JOURNAL OF THE THEORETICAL HUMANITIES\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/0969725X.2023.2216554\",\"RegionNum\":4,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"ANGELAKI-JOURNAL OF THE THEORETICAL HUMANITIES","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/0969725X.2023.2216554","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
Abstract Emerging in the wake of the broad paradigm of semiotics in discourses in the human sciences in France in the 1960s, and from other developments and emergent tendencies in philosophy and critical theory, a cluster of works in French thought of the 1970s, by Gilles Deleuze and Félix Guattari, Jean-François Lyotard, and Roland Barthes, investigate the liminal spaces and dynamic relations between sense, sound, and noise. Depending on the angle adopted, these investigations bear upon the relations between articulated sound and noise; language and sound, the formed and the unformed, the coded and the non-coded, sound and music, sound and silence, and other formulations of acoustic liminality. This article brings to light how noise is an operative concept across this material; I argue for its pertinence to the question of the “mental state of noise” as elaborated by Steven Sands and John Ratey in their seminal piece “The Concept of Noise,” and then critically assessed by Cécile Malaspina in The Epistemology of Noise.
期刊介绍:
Angelaki: journal of the theoretical humanities was established in September 1993 to provide an international forum for vanguard work in the theoretical humanities. In itself a contentious category, "theoretical humanities" represents the productive nexus of work in the disciplinary fields of literary criticism and theory, philosophy, and cultural studies. The journal is dedicated to the refreshing of intellectual coordinates, and to the challenging and vivifying process of re-thinking. Angelaki: journal of the theoretical humanities encourages a critical engagement with theory in terms of disciplinary development and intellectual and political usefulness, the inquiry into and articulation of culture.