关于写作艺术的阿达布大师:阿布·海扬·塔希迪手稿《书法书信》译著出版序言

Q3 Arts and Humanities
Mikhail S. Palenko
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引用次数: 0

摘要

本文简要回顾了阿布乌最重要的传记信息Ḥayyān al-Tawḥ伊迪(约1023年),阿达布文学的杰出代表。在他的创作遗产中,强调了《书信(书法)》的重要性。结论是阿达布风格是作者创作意图的最佳体现。他是第一个成功地详尽总结了阿拉伯文字形成的主要(定义)阶段,并明确制定了准备qalam的技术的人。《书信集》写得很简单,但也不乏传统的优雅和折衷主义。预计参考现有学校的多种比例脚本的进一步发展,al-Tawḥīdi提出了共同的附加原则(除了比例),根据他的说法,这些原则将构成他们未来的美学。在《书信集》的第二部分中,有关于这类艺术的经典语录和教义,这些名言和教义变得司空见惯ḥīdi超越了他的同时代人和内心传统的作者。他给出了当时关于话语对象的全部现有知识。这些数据可以根据主题和类型划分为不同的量规。在其中许多作品中,我们可以追溯到作者积极保护阿拉伯文化遗产的愿望。得出的结论是,al-Tawḥīdi努力将前一个风格形成时代的主要信息、规则和技术进一步提取和传达出来,这样它们就不会丢失或发生重大变化。书写包含了许多与工具准备和脚本本身过程有关的术语,这些术语可能再次与现代书法科学相关。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Master of Adab about Art of Writing: Preface to Publication of Translation of Abu Hayyan al-Tawhidi’s Manuscript “An Epistle on Penmanship”
There is given a short review of the most important biographical information about Abū Ḥayyān al-Tawḥīdi (d. ca. 1023), an outstanding representative of the Adab literature. Amongst his creative heritage it is emphasized the importance of the «Epistle (on Penmanship)». The conclusion is made that Adab style served in the best way the author’s intention. He was the first one who succeeded to exhaustively summarize the primary (defining) stage of the Arabic script formation, to clearly formulate the technique for preparing the qalam . The “Epistle” is written in a simple manner, though it is not devoid of traditional elegance and eclecticism. Anticipating further development of the multiple types of proportional script referring to the existent schools, al-Tawḥīdi formulates common additional principles (apart from proportions), that, according to him, would constitute their aesthetics in future. In the second part of the “Epistle” there are given classic sayings and teachings, that became commonplace, regarding this type of art. Al-Tawḥīdi goes beyond his contemporaries and authors of the inner tradition. He gives the full scope of then existing knowledge regarding the discourse object. These data can be divided into rubrics depending on the subject and genre. In many of them we can trace the author's desire to zealously protect the Arab cultural heritage. It is concluded that al-Tawḥīdi strived to take out and convey further the main information, rules and techniques from the previous era of styles formation, so that they would not be lost or significantly changed. The writing contains numerous terms related to the preparation of tools and the process of script itself, which may again become relevant in the modern science of calligraphy.
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来源期刊
RUDN Journal of Philosophy
RUDN Journal of Philosophy Arts and Humanities-Philosophy
CiteScore
0.20
自引率
0.00%
发文量
55
审稿时长
12 weeks
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