{"title":"各种原因的反叛:当代印度青年的神话","authors":"A. Nandakumar","doi":"10.1386/safm_00021_1","DOIUrl":null,"url":null,"abstract":"The processes of globalization and liberalization currently underway in most parts of the world address young people as agential subjects, even as a primordial fear of the raw, uncontained, chaotic force symbolized by unrestrained youth persists. In such a context, I argue that youth becomes an aspirational subject position signifying different things to various social actors. Drawing upon Roland Barthes’ notion of ‘myth’ as a sign in a second-order semiotic system (Mythologies, 1993), I examine various popular cultural texts of the mid-2000s such as the popular Hindi film Rang De Basanti (‘Paint me the colour of spring’, Rakeysh Omprakash Mehra 2006), as well as select advertisements, music videos and public service campaigns in order to unravel the ‘mythologies’ converging in the figure of youth in contemporary India.","PeriodicalId":38659,"journal":{"name":"Studies in South Asian Film and Media","volume":"11 1","pages":"87-100"},"PeriodicalIF":0.0000,"publicationDate":"2020-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Rebels for every cause: Mythologies of youth in contemporary India\",\"authors\":\"A. Nandakumar\",\"doi\":\"10.1386/safm_00021_1\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The processes of globalization and liberalization currently underway in most parts of the world address young people as agential subjects, even as a primordial fear of the raw, uncontained, chaotic force symbolized by unrestrained youth persists. In such a context, I argue that youth becomes an aspirational subject position signifying different things to various social actors. Drawing upon Roland Barthes’ notion of ‘myth’ as a sign in a second-order semiotic system (Mythologies, 1993), I examine various popular cultural texts of the mid-2000s such as the popular Hindi film Rang De Basanti (‘Paint me the colour of spring’, Rakeysh Omprakash Mehra 2006), as well as select advertisements, music videos and public service campaigns in order to unravel the ‘mythologies’ converging in the figure of youth in contemporary India.\",\"PeriodicalId\":38659,\"journal\":{\"name\":\"Studies in South Asian Film and Media\",\"volume\":\"11 1\",\"pages\":\"87-100\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-11-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Studies in South Asian Film and Media\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1386/safm_00021_1\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Studies in South Asian Film and Media","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/safm_00021_1","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
摘要
目前在世界大多数地区正在进行的全球化和自由化进程把年轻人当作能动的主体,尽管对以不受约束的青年为象征的原始的、不受控制的、混乱的力量的原始恐惧仍然存在。在这样的背景下,我认为青年成为一个有抱负的主体位置,对不同的社会行动者意味着不同的东西。根据罗兰·巴特(Roland Barthes)的“神话”概念作为二级符号学系统中的符号(Mythologies, 1993),我研究了2000年代中期的各种流行文化文本,如流行的印度电影《Rang De Basanti》(“给我画上春天的颜色”,Rakeysh Omprakash Mehra 2006),以及精选的广告、音乐视频和公共服务活动,以解开“神话”在当代印度青年形象中的融合。
Rebels for every cause: Mythologies of youth in contemporary India
The processes of globalization and liberalization currently underway in most parts of the world address young people as agential subjects, even as a primordial fear of the raw, uncontained, chaotic force symbolized by unrestrained youth persists. In such a context, I argue that youth becomes an aspirational subject position signifying different things to various social actors. Drawing upon Roland Barthes’ notion of ‘myth’ as a sign in a second-order semiotic system (Mythologies, 1993), I examine various popular cultural texts of the mid-2000s such as the popular Hindi film Rang De Basanti (‘Paint me the colour of spring’, Rakeysh Omprakash Mehra 2006), as well as select advertisements, music videos and public service campaigns in order to unravel the ‘mythologies’ converging in the figure of youth in contemporary India.