任务介绍:脱限，舞蹈和表演卑微的动作

IF 0.2 0 DANCE

Choreographic Practices Pub Date : 2021-12-01 DOI:10.1386/chor_00033_1

D. Cross

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引用次数: 0

摘要

本文回顾了为2020年澳大利亚基尔舞蹈奖委托进行的一项具体案例研究，调查了作品《极限》如何试图协商卑微、过程驱动的劳动与舞蹈/装置艺术之间的关系。该作品由舞蹈制作人艾莉森·库里和视觉艺术家大卫·克罗斯合作开发，这项工作询问了沃尔特·本雅明和马丁·海德格尔分别关于无聊和暂停时间的思想如何为基于任务的实践提供新的考虑。这项研究特别试图通过插入一系列反时刻来测试与任务导向话语相关的关键阈值，这些反时刻是弗洛伊德围绕神秘事物的思考所提供的。在艺术和舞蹈的交叉点上，本文还试图探讨艺术装置的建筑是如何提供一个框架来以不同的方式理解舞蹈及其各种形式的。《极限》在功能性和抽象性之间徘徊，将现场表演探索为劳动和表演之间不稳定的边界空间。

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On task: De-Limit, dance and the performance of menial action

Reflecting on a specific case study commissioned for the 2020 Keir Choreographic Awards in Australia, this text investigates how the work De-Limit sought to negotiate the relationship between menial, process-driven labour and dance/installation art. Developed as a collaboration between dance maker Alison Currie and visual artist David Cross, the work interrogated how Walter Benjamin’s and Martin Heidegger’s ideas on boredom and suspended time, respectively, might offer new considerations of task-based practice. This study specifically seeks to test key thresholds in relation to task-orientated discourse with the insertion of a series of counter-moments informed by Freud’s thinking around the uncanny. Playing with ideas of staging and set making at the intersection of art and dance, this text also seeks to interrogate how the building of an art installation offers a frame in which to understand dance and its assorted modalities in different ways. De-Limit slips between functional and abstract, exploring live action as an unstable liminal space between labour and performance.

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来源期刊

Choreographic Practices DANCE-

CiteScore

0.10

自引率

0.00%

发文量

期刊介绍： Choreographic Practices operates from the principle that dance embodies ideas and can be productively enlivened when considered as a mode of critical and creative discourse. This double-blind peer-reviewed journal provides a platform for sharing choreographic practices, critical inquiry and debate. Placing an emphasis on processes and practices over products, this journal seeks to engender dynamic relationships between theory and practice, choreographer and scholar, so that these distinctions may be shifted and traversed. Choreographic Practices will encompass a wide range of methodologies and critical perspectives such that interdisciplinary processes in performance can be understood as they intersect with other territories in the arts and beyond (for example, cultural studies, psychology, phenomenology, geography, philosophy and economics). In this way, the journal will open up the nature and scope of dance practice as research and draw together diverse bodies of knowledge and ways of knowing to illuminate an emerging and vibrant research area.