FESPACO@50及以后:一个解放计划的辩证法

IF 0.2 0 FILM, RADIO, TELEVISION

Journal of African Cinemas Pub Date : 2022-11-01 DOI:10.1386/jac_00059_1

Aboubakar Sanogo

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引用次数: 0

摘要

本文是为庆祝FESPACO成立50周年而写的一篇文章。它分为两个主要部分。第一部分回顾了自电影节成立以来最重要的辩论，介绍了电影节的意义及其经验，简要回顾了FESPACO的黑色相机卷，并介绍了本期特刊委托撰写的独特文章。第二部分探讨了与FESPACO和非洲电影的未来有关的三个重要问题:通过对电影节新经典部分的考察，历史和记忆的中心地位，非洲电影的政治经济的外向型和依赖性，它们对非洲电影的形式、流通和接受的影响，以及它们对太平洋电影委员会的意义，最后迫切需要解决非洲大陆的主权和领土完整问题，这是非洲电影存在的必要条件，非洲电影和视听产业的生存和繁荣，有可能继续并有可能完成电影节核心的未完成的解放项目。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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FESPACO@50 and beyond: Dialectics of an emancipatory project

This article is a contribution to the celebration the 50th anniversary of FESPACO. It is divided in two major parts. The first takes stock of some of the most important debates that have traversed the festival since its inception, offers a sense of the significance of the festival and its experience, briefly reviews the Black Camera volumes on FESPACO and introduces the unique essays commissioned for this Special Issue. The second half examines three important issues related to the future of FESPACO and African cinema more generally: the centrality of histories and memories with an examination of the new Classics section of the festival, the extraversion and dependency of the political economies of African cinema, their impact on the forms, circulation and reception of African cinema, and their significance for FESPACO, and, finally the urgent need to address questions of sovereignty and territorial integrity on the continent as sine qua non for the very existence, survival and blossoming of an African film and audiovisual industry, liable to continue and potentially complete the unfinished emancipatory project at the heart of the festival.

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来源期刊

Journal of African Cinemas FILM, RADIO, TELEVISION-

CiteScore

0.40

自引率

0.00%

发文量

期刊介绍： The Journal of African Cinemas will explore the interactions of visual and verbal narratives in African film. It recognizes the shifting paradigms that have defined and continue to define African cinemas. Identity and perception are interrogated in relation to their positions within diverse African film languages. The editors are seeking papers that expound on the identity or identities of Africa and its peoples represented in film. The aim is to create a forum for debate that will promote inter-disciplinarity between cinema and other visual and rhetorical forms of representation.