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引用次数: 2
摘要
汉堡美术馆(Hamburger Kunsthalle)的一幅引人注目的彩绘祭坛,是15世纪汉萨同盟城市圣托马斯贝克特(St Thomas Becket)忠诚品格的宝贵视觉来源。这幅祭坛画是由艺术家梅斯特·弗兰克(Meister Francke)委托一个被称为“英格兰父亲”(englandfarer)的商人协会制作的,包括四幅描绘圣托马斯故事的嵌板,其中两幅幸存下来,还有两幅来自18世纪的雕刻。在贝克特的照片中,有一个独特的场景,以前被认为是路易七世朝圣的图像,但在这里被认为是圣托马斯死后在一个航运港口的出现。这四个场景不应该被看作是对圣人书面简历的中立重新叙述,而是将圣人与委托制作祭坛的商人协会的当代关注点联系起来的一组图像。
The Merchants’ Saint: Thomas Becket among the Merchants of Hamburg
A remarkable painted altarpiece in the Hamburger Kunsthalle serves as a valuable visual source for the character of devotion to St Thomas Becket in a 15th-century Hanseatic city. Commissioned from the artist Meister Francke by a guild of merchants known as the Englandfahrer, the altarpiece includes four panels depicting a narrative of St Thomas, of which two survive and two are known from an 18th-century engraving. One scene, unique among images of Becket, has previously been identified as an image of Louis VII’s pilgrimage, but is here identified as a posthumous appearance by St Thomas in a shipping port. These four scenes should not be viewed as a neutral re-narration of the saint’s written vitae, but rather as a set of images that link the saint to the contemporary concerns of the guild of merchants who commissioned the altarpiece.