{"title":"nicolas guillen作品中的非殖民化话语","authors":"Yopane Thiao","doi":"10.14712/24647063.2021.5","DOIUrl":null,"url":null,"abstract":"Guillén, both in poetry and in journalistic prose. Colonialism therefore presents itself as a common enemy, in stark contradiction to the freedom sustained and sung with the best encouragement by Cuba’s national poet. From this perspective, we will analyze not only the victimization that Black people were subjected to because of slavery, but also their rebellions and their participation in shaping the Cuban national profile.","PeriodicalId":53013,"journal":{"name":"IberoAmericana Pragensia","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2022-01-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"El discurso de la descolonización en la obra de Nicolás Guillén\",\"authors\":\"Yopane Thiao\",\"doi\":\"10.14712/24647063.2021.5\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Guillén, both in poetry and in journalistic prose. Colonialism therefore presents itself as a common enemy, in stark contradiction to the freedom sustained and sung with the best encouragement by Cuba’s national poet. From this perspective, we will analyze not only the victimization that Black people were subjected to because of slavery, but also their rebellions and their participation in shaping the Cuban national profile.\",\"PeriodicalId\":53013,\"journal\":{\"name\":\"IberoAmericana Pragensia\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-01-03\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"IberoAmericana Pragensia\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.14712/24647063.2021.5\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"IberoAmericana Pragensia","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.14712/24647063.2021.5","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
El discurso de la descolonización en la obra de Nicolás Guillén
Guillén, both in poetry and in journalistic prose. Colonialism therefore presents itself as a common enemy, in stark contradiction to the freedom sustained and sung with the best encouragement by Cuba’s national poet. From this perspective, we will analyze not only the victimization that Black people were subjected to because of slavery, but also their rebellions and their participation in shaping the Cuban national profile.