艺术家的速写本:果阿大教堂(印度)的前祭坛画归因于画家加西亚费尔南德斯-肖像和风格的影响和底画研究

IF 0.4 0 HUMANITIES, MULTIDISCIPLINARY

Conservar Patrimonio Pub Date : 2020-07-31 DOI:10.14568/cp2018068

V. Antunes, V. Serrão, A. Candeias, J. Mirão, S. Valadas, M. Carvalho

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引用次数: 0

摘要

果阿大教堂前祭坛画，由加西亚·费尔南德斯创作，制作于1538年左右，是印度最古老的西方绘画作品之一。这是一幅对葡萄牙人征服果阿具有重要意义的作品，也对理解葡萄牙绘画在海外的影响具有重要意义。果阿大教堂前祭坛画被认为是加西亚·费尔南德斯创作过程的重要研究来源。有证据表明，这些画的绘制力度不足，存在不同类型的绘画，以及被放弃的肖像主题，或构图的形式变化。图像学和风格研究证明了北欧和南欧对圣卡塔琳娜圣母院主题的选择和表现的影响。在本研究中，将这部作品与加西亚·费尔南德斯的其他作品进行了对比。

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An Artist's Sketchbook: the former altarpiece of Goa Cathedral (India) attributed to the painter Garcia Fernandes - iconographic and stylistic influences and underdrawing study

Goa Cathedral former altarpiece, attributed to Garcia Fernandes and made around 1538, is one of the oldest western pictorial works in India. It is a work of great importance in the establishment of the conquest of Goa by the Portuguese but also for understanding the influence of Portuguese painting overseas. Goa Cathedral former altarpiece is revealed as a crucial study source of Garcia Fernandes' creative process. There is evidence in the vigorous underdrawing of these paintings, of the existence of different types of drawing, as well as abandoned iconographic themes, or formal alterations of compositions. The iconographic and stylistic study evidences north and south-European influences in the choice and representation of the themes around the Martirio de Santa Catarina. In the present study, this work is compared in the making of the underdrawing with other works attributed to Garcia Fernandes.

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来源期刊

Conservar Patrimonio HUMANITIES, MULTIDISCIPLINARY-

CiteScore

0.80

自引率

0.00%

发文量

审稿时长

12 weeks

期刊介绍： Conservar Património is a journal, published three times a year, that intends to create a space for the diffusion of conservator-restorers’ studies and activities. However, at a time when Conservation-Restoration pretends to develop further through collaboration with other areas of knowledge, such as History of Art, Archaeology, Museum Studies, Chemistry, Physics, Biology and other related disciplines from the fields of the natural and social sciences, the journal also receives contributions from any other provenance as long as directed towards the multiple dimensions of the works that integrate our Cultural Heritage. Theoretical issues on the conservation activity may also be submitted.