每一步都能听到和感受音乐:音乐漫步和封锁的传记经历

Q2 Social Sciences
Lyudmila Nurse, Chika Robertson
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引用次数: 0

摘要

这篇文章调查了在新冠肺炎疫情封锁期间,年轻音乐家探索新的(陌生的)社会景观和情感的方式,通过学习在独自行走或与家人一起行走时倾听“脚步中的音乐”,为跨学科项目“音乐脚步”。该项目考察了年轻音乐家及其父母的自录散文、视觉材料和反思,揭示了声音、空间和沉默的新文化视角,以及受散步启发的对音乐曲目的思考。在方法上,我们采用了行走传记的方法,使我们能够从跨学科的角度探索年轻音乐家对音乐及其在封锁期间的生活的反思。作者特别为年轻音乐家及其家人采用了步行传记的方法来研究这一举动。这篇文章探讨了步行如何改变年轻音乐家对音乐的情感感知,以及他们在步行期间和之后听到的和感受。有人提出了这样的问题:散步是否影响了他们的身心健康,包括个人和音乐,以及散步是否影响他们对文化背景/起源的理解。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Hearing and feeling the music in every step: Musical walks and biographical experience of lockdown
The article investigates the ways in which young musicians explored new (unfamiliar) social landscapes and emotions during Covid-19 pandemic lockdowns, through learning to listen to the “music within their steps” while walking on their own or with members of their own families for the inter-disciplinary project ‘The Musical Steps’. The project examines the self-recorded essays, visual materials and reflections by the young musicians and their parents, which reveal new cultural perspectives of sound, space and silence, along with the thoughts about musical repertoire which were inspired by the walks. Methodologically, we applied the walking biographical method that enabled us to explore young musicians’ reflections on music and their lives during lockdowns from an inter-disciplinary perspective. The walking biographies approach to research on the move has been specially adapted for young musicians and their families by the authors. This article explores how walking changed young musicians’ emotional perceptions of music and what they heard and felt during and after their walks. Questions were raised as to whether the walks affected their physical and mental well-being, both personally and musically, and whether the walks influenced their understanding of their cultural background/origin.
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来源期刊
Irish Journal of Sociology
Irish Journal of Sociology Social Sciences-Social Sciences (all)
CiteScore
2.50
自引率
0.00%
发文量
18
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