Antonio Galli Bibiena的钟形歌剧院——博洛尼亚公共剧院与曼图阿科学剧院的声学比较

IF 1.3 Q3 ACOUSTICS
A. Bevilacqua, L. Tronchin
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引用次数: 8

摘要

在17世纪和18世纪建造的意大利剧院中进行了许多声学研究。随着技术的发展,声学测量变得越来越准确,能够捕捉到这些文化遗产建筑的忠实声学条件,这些建筑被认为是代表声音之家的图标。尽管建筑师Antonio Galli Bibiena为博洛尼亚和曼图阿的剧院提出的平面布局因其创新的几何形状和形状而备受争议,但由于四季都有华丽的艺术节目,因此这些平面布局非常引人注目,并受到观众的赞赏。为了分析主要大厅的声学响应,进行了现场调查。根据记录的脉冲响应,比较了两个剧院之间的单耳和双耳声学参数,其中分析分别考虑了隔间和阳台。详细介绍了选定剧院的历史背景,以了解主厅的声学行为。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Bell-Shaped Opera Houses Realised by Antonio Galli Bibiena: Acoustic Comparison between the Communal Theatre of Bologna and the Scientific Theatre of Mantua
Many acoustic studies have been carried out in the Italian theatres built during the 17th and 18th centuries. Along with the development of technology, acoustic measurements become increasingly more accurate, able to capture the faithful acoustic conditions of these cultural heritage buildings that are considered icons for representing the house of sound. Although considered controversial for their innovative geometry and shape, the plan layouts proposed by the architect Antonio Galli Bibiena for the theatres placed in Bologna and Mantua were remarkable and appreciated by the audience given the florid artistical program run over the seasons. Site were undertaken in order to analyse the acoustic response of the main halls. From the recorded impulse response, both monoaural and binaural acoustic parameters were compared between the two theatres, where the analysis separately considered the stalls and balconies. The historical background of the selected theatres was detailed to understand the acoustic behaviour of the main halls.
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来源期刊
CiteScore
3.70
自引率
0.00%
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审稿时长
11 weeks
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