{"title":"表演和见证莎士比亚的治愈艺术:将戏剧治疗技巧转移到监狱内外的戏剧教室","authors":"Suraya Susana Keating, Lynn Baker-Nauman, Marianne Shine","doi":"10.1386/dtr_00093_1","DOIUrl":null,"url":null,"abstract":"This article analyses a structured approach to facilitating Shakespeare groups in prison that interweaves a trauma-informed lens with four critical principles developed by Marin Shakespeare Company. The CREW principles are (1) Connection, (2) Reflection, (3) Expression and (4) Witnessing.\n We describe the work we have been doing for sixteen years with Marin Shakespeare Company facilitating Shakespeare classes and performances in various California prisons with incarcerated men, women and trans-women. Throughout the article, a blend of theory, guiding quotes and case examples\n from participants is used to demonstrate how the study and performance of Shakespeare in prison, when rooted in a trauma-informed lens and supported by the four principles mentioned above, is helpful in healing trauma and fostering social and emotional well-being amongst individuals who are\n incarcerated.","PeriodicalId":42254,"journal":{"name":"Drama Therapy Review","volume":" ","pages":""},"PeriodicalIF":0.5000,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The healing art of performing and witnessing Shakespeare: Transferring drama therapy skills to the theatre classroom inside prison and beyond\",\"authors\":\"Suraya Susana Keating, Lynn Baker-Nauman, Marianne Shine\",\"doi\":\"10.1386/dtr_00093_1\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article analyses a structured approach to facilitating Shakespeare groups in prison that interweaves a trauma-informed lens with four critical principles developed by Marin Shakespeare Company. The CREW principles are (1) Connection, (2) Reflection, (3) Expression and (4) Witnessing.\\n We describe the work we have been doing for sixteen years with Marin Shakespeare Company facilitating Shakespeare classes and performances in various California prisons with incarcerated men, women and trans-women. Throughout the article, a blend of theory, guiding quotes and case examples\\n from participants is used to demonstrate how the study and performance of Shakespeare in prison, when rooted in a trauma-informed lens and supported by the four principles mentioned above, is helpful in healing trauma and fostering social and emotional well-being amongst individuals who are\\n incarcerated.\",\"PeriodicalId\":42254,\"journal\":{\"name\":\"Drama Therapy Review\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.5000,\"publicationDate\":\"2022-04-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Drama Therapy Review\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1386/dtr_00093_1\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"THEATER\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Drama Therapy Review","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/dtr_00093_1","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"THEATER","Score":null,"Total":0}
The healing art of performing and witnessing Shakespeare: Transferring drama therapy skills to the theatre classroom inside prison and beyond
This article analyses a structured approach to facilitating Shakespeare groups in prison that interweaves a trauma-informed lens with four critical principles developed by Marin Shakespeare Company. The CREW principles are (1) Connection, (2) Reflection, (3) Expression and (4) Witnessing.
We describe the work we have been doing for sixteen years with Marin Shakespeare Company facilitating Shakespeare classes and performances in various California prisons with incarcerated men, women and trans-women. Throughout the article, a blend of theory, guiding quotes and case examples
from participants is used to demonstrate how the study and performance of Shakespeare in prison, when rooted in a trauma-informed lens and supported by the four principles mentioned above, is helpful in healing trauma and fostering social and emotional well-being amongst individuals who are
incarcerated.