表演和见证莎士比亚的治愈艺术:将戏剧治疗技巧转移到监狱内外的戏剧教室

IF 0.5 0 THEATER
Suraya Susana Keating, Lynn Baker-Nauman, Marianne Shine
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引用次数: 0

摘要

本文分析了一种结构化的方法,以促进监狱中的莎士比亚小组,该方法将创伤信息镜头与马林莎士比亚公司开发的四个关键原则相结合。CREW的原则是(1)联系,(2)反思,(3)表达,(4)见证。我们描述了我们与马林莎士比亚公司合作了16年的工作,在加利福尼亚的各个监狱为被监禁的男人、女人和变性女人提供莎士比亚课程和表演。在整篇文章中,结合了理论、指导性的引用和参与者的案例,来证明在监狱中学习和表演莎士比亚是如何根植于创伤知识的视角,并在上述四个原则的支持下,有助于治愈创伤,促进被监禁者的社会和情感健康。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The healing art of performing and witnessing Shakespeare: Transferring drama therapy skills to the theatre classroom inside prison and beyond
This article analyses a structured approach to facilitating Shakespeare groups in prison that interweaves a trauma-informed lens with four critical principles developed by Marin Shakespeare Company. The CREW principles are (1) Connection, (2) Reflection, (3) Expression and (4) Witnessing. We describe the work we have been doing for sixteen years with Marin Shakespeare Company facilitating Shakespeare classes and performances in various California prisons with incarcerated men, women and trans-women. Throughout the article, a blend of theory, guiding quotes and case examples from participants is used to demonstrate how the study and performance of Shakespeare in prison, when rooted in a trauma-informed lens and supported by the four principles mentioned above, is helpful in healing trauma and fostering social and emotional well-being amongst individuals who are incarcerated.
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来源期刊
CiteScore
1.40
自引率
27.30%
发文量
27
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