S. Connell, Julia Flanders, N. Keller, Elizabeth Polcha, W. Quinn
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Learning from the Past: The Women Writers Project and Thirty Years of Humanities Text Encoding
In recent years, intensified attention in the humanities has been paid to data: to data modeling, data visualization, “big data”. The Women Writers Project has dedicated significant effort over the past thirty years to creating what Christoph Schoch calls “smart clean data”: a moderate-sized collection of early modern women’s writing, carefully transcribed and corrected, with detailed digital text encoding that has evolved in response to research and changing standards for text representation. But that data—whether considered as a publication through Women Writers Online, or as a proof of the viability of text encoding approaches like those expressed in the Text Encoding Initiative (TEI) Guideline s—is only the most visible part of a much larger ecology. That ecology includes complex human systems, evolving sets of tools, and a massive apparatus of documentation and organizational memory that have made it possible for the project to work coherently over such a long period of time. In this article we examine the WWP’s information systems in relation to the project’s larger scholarly goals, with the aim of showing where they may generalize to the needs of other projects.
期刊介绍:
Its coverage is threefold: (1) Cultural subjects for the Romance area, in the medieval and post-medieval era (up to 1600). (2) Literature, linguistics and cultural issues in general, concerning the Crown of Aragon and Occitania (and other related areas such as Naples and Navarre). (3) Digital humanities or otherwise methodological studies, provided that they may be of service to the medievalist. This annual publication has been created with the intention of serving as a platform for works that exceed the conventional length of journal articles. Therefore Magnificat CLM will preferably publish long articles, but articles of medium length are not excluded. Magnificat CLM is aimed at an audience of researchers and specialists in medieval studies, especially Romance philology, as well as of specialists in digital humanities. Magnificat CLM consists of a single section of articles, occasionally including a monographic dossier on particular subjects. All articles are indexed. Magnificat CLM published its first volume in 2014.