{"title":"诗歌写作是越界的民族志","authors":"S. Williams","doi":"10.5406/21567417.66.3.03","DOIUrl":null,"url":null,"abstract":"\n Poetry writing can be a useful and effective tool in managing the challenging experiences of fieldwork, performing, writing, and teaching. As an act of creation, writing poetry transgresses the sense that legitimate ethnographic work must be rendered as prose. Instead, poetry serves as a powerful way to understand the self and one's experiences in context, particularly as part of the exploratory liminal stage between experience and publication. Poetry writing also complicates the idea that one's fieldwork (or teaching) is linear, objective, sequential, and falls neatly into a specific format when we try to render it in writing. In this article, examples of memory, fieldwork, and teaching all connect to moments of creation and, in turn, closer understanding.","PeriodicalId":51751,"journal":{"name":"ETHNOMUSICOLOGY","volume":" ","pages":""},"PeriodicalIF":0.6000,"publicationDate":"2022-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Poetry Writing as Transgressive Ethnography\",\"authors\":\"S. Williams\",\"doi\":\"10.5406/21567417.66.3.03\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\n Poetry writing can be a useful and effective tool in managing the challenging experiences of fieldwork, performing, writing, and teaching. As an act of creation, writing poetry transgresses the sense that legitimate ethnographic work must be rendered as prose. Instead, poetry serves as a powerful way to understand the self and one's experiences in context, particularly as part of the exploratory liminal stage between experience and publication. Poetry writing also complicates the idea that one's fieldwork (or teaching) is linear, objective, sequential, and falls neatly into a specific format when we try to render it in writing. In this article, examples of memory, fieldwork, and teaching all connect to moments of creation and, in turn, closer understanding.\",\"PeriodicalId\":51751,\"journal\":{\"name\":\"ETHNOMUSICOLOGY\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.6000,\"publicationDate\":\"2022-10-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"ETHNOMUSICOLOGY\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5406/21567417.66.3.03\",\"RegionNum\":1,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"ETHNOMUSICOLOGY","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5406/21567417.66.3.03","RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
Poetry writing can be a useful and effective tool in managing the challenging experiences of fieldwork, performing, writing, and teaching. As an act of creation, writing poetry transgresses the sense that legitimate ethnographic work must be rendered as prose. Instead, poetry serves as a powerful way to understand the self and one's experiences in context, particularly as part of the exploratory liminal stage between experience and publication. Poetry writing also complicates the idea that one's fieldwork (or teaching) is linear, objective, sequential, and falls neatly into a specific format when we try to render it in writing. In this article, examples of memory, fieldwork, and teaching all connect to moments of creation and, in turn, closer understanding.
期刊介绍:
As the official journal of the Society for Ethnomusicology, Ethnomusicology is the premier publication in the field. Its scholarly articles represent current theoretical perspectives and research in ethnomusicology and related fields, while playing a central role in expanding the discipline in the United States and abroad. Aimed at a diverse audience of musicologists, anthropologists, folklorists, cultural studies scholars, musicians, and others, this inclusive journal also features book, recording, film, video, and multimedia reviews. Peer-reviewed by the Society’s international membership, Ethnomusicology has been published three times a year since the 1950s.